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Today's Stichomancy for Robert E. Lee

The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare:

So humbly take my leaue

King. My worthy Cawdor

Macb. The Prince of Cumberland: that is a step, On which I must fall downe, or else o're-leape, For in my way it lyes. Starres hide your fires, Let not Light see my black and deepe desires: The Eye winke at the Hand: yet let that bee, Which the Eye feares, when it is done to see. Enter.

King. True worthy Banquo: he is full so valiant, And in his commendations, I am fed:


Macbeth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tom Sawyer Abroad by Mark Twain:

I's right down ashamed to hear you talk like dat, arter de way you's been raised. Yassir, it'd break yo' Aunt Polly's heart to hear you."

Tom was astonished. He looked Jim over wonder- ing, and didn't say nothing, and Jim went on:

"Mars Tom, who put de people out yonder in St. Louis? De Lord done it. Who put de people here whar we is? De Lord done it. Ain' dey bofe his children? 'Cose dey is. WELL, den! is he gwine to SCRIMINATE 'twixt 'em?"

"Scriminate! I never heard such ignorance. There

The third excerpt represents the future or something you must embrace, and is drawn from Theaetetus by Plato:

raised in the Theaetetus. (Compare also Theaet. and Soph. for parallel turns of thought.) Secondly, the later date of the dialogue is confirmed by the absence of the doctrine of recollection and of any doctrine of ideas except that which derives them from generalization and from reflection of the mind upon itself. The general character of the Theaetetus is dialectical, and there are traces of the same Megarian influences which appear in the Parmenides, and which later writers, in their matter of fact way, have explained by the residence of Plato at Megara. Socrates disclaims the character of a professional eristic, and also, with a sort of ironical admiration, expresses his inability to attain the Megarian precision in the use of terms. Yet he too employs a similar sophistical