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Today's Stichomancy for Robert E. Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

his clerk beside him ready to take down the evidence. Muller sat near a window with a paper on his lap, looking the least interested of anybody in the proceedings.

For a moment there was complete silence in the room, which was broken in a rather unusual manner. A deep voice, more like a growl, although it had a queer strain of comic good-nature in it, began the proceedings with the remark: "Well now, say, what do you want of me, anyway?"

The commissioner looked at the man in astonishment, then turned aside that the prisoner might not notice his smile. But he might have spared himself the trouble, for Muller, the clerk, and the two

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Koran:

forth their hands, 'Give ye forth your souls; to-day shall ye be recompensed with the torment of disgrace, for that ye did say against God what was not true, and were too proud to hear His signs And ye come now single-handed as we created you at first, and ye have left behind your backs that which we granted you; and we see not with you your intercessors whom ye pretended were partners amongst you; betwixt you have the ties been cut asunder; and strayed away from you is what ye did pretend.'

Verily, God it is who cleaves out the grain and the date-stone; He brings forth the living from the dead, and it is He who brings the dead from the living. There is God! how then can ye be beguiled?


The Koran
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Frankenstein by Mary Shelley:

"These were the reflections of my hours of despondency and solitude; but when I contemplated the virtues of the cottagers, their amiable and benevolent dispositions, I persuaded myself that when they should become acquainted with my admiration of their virtues they would compassionate me and overlook my personal deformity. Could they turn from their door one, however monstrous, who solicited their compassion and friendship? I resolved, at least, not to despair, but in every way to fit myself for an interview with them which would decide my fate. I postponed this attempt for some months longer, for the importance attached to its success inspired me with a dread lest I should fail. Besides, I


Frankenstein
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Robinson Crusoe by Daniel Defoe:

to turn myself: so I set myself to enlarge my cave, and work farther into the earth; for it was a loose sandy rock, which yielded easily to the labour I bestowed on it: and so when I found I was pretty safe as to beasts of prey, I worked sideways, to the right hand, into the rock; and then, turning to the right again, worked quite out, and made me a door to come out on the outside of my pale or fortification. This gave me not only egress and regress, as it was a back way to my tent and to my storehouse, but gave me room to store my goods.

And now I began to apply myself to make such necessary things as I found I most wanted, particularly a chair and a table; for without


Robinson Crusoe