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Today's Stichomancy for Robert E. Lee

The first excerpt represents the past or something you must release, and is drawn from Somebody's Little Girl by Martha Young:

walks in the pretty baby-carriages, with nice white, and pink, and blue parasols over the babies' heads.

That afternoon Sister Helen Vincula stayed a long time with Bessie Bell, on the Mall, sitting by her on the stone bench and listening to the gay music, and looking at the children in their prettiest clothes, and at the nurses rolling the babies in the pretty carriages with the beautiful pink, and white, and blue parasols over the babies' heads.

Then Sister Helen Vincula said: ``Bessie Bell, I am going across the long bridge to see some ladies and to tell them Good-bye, because we are going away tomorrow.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

"Aunt Harriet," she said, "I don't think I'll ever get married."

"I said that too, once," said Aunt Harriet complacently. "What's got into your head now?"

"I don't know," Sara Lee replied vaguely. "I Just - What's the use?"

Aunt Harriet was conscious of a hazy impression of indelicacy. Coming from Sara Lee it was startling and revolutionary. In Aunt Harriet's world young women did not question their duty, which was to marry, preferably some one in the neighborhood, and bear children, who would be wheeled ahout that same neighborhood in perambulators and who would ultimately grow up and look after themselves.

"The use?" she asked tartly.

The third excerpt represents the future or something you must embrace, and is drawn from Return of the Native by Thomas Hardy:

across the room, and then suddenly went out of the house. It was eleven o'clock when he came in, though he had not been further than the precincts of the garden. His mother was gone to bed. A light was left burning on the table, and supper was spread. Without stopping for any food he secured the doors and went upstairs.

4 - An Hour of Bliss and Many Hours of Sadness

The next day was gloomy enough at Blooms-End. Yeobright remained in his study, sitting over the open books; but the work of those hours was miserably scant. Determined that there should be nothing in his conduct


Return of the Native