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Today's Stichomancy for Robert Frost

The first excerpt represents the past or something you must release, and is drawn from Finished by H. Rider Haggard:

days, the Prime Minister, Umnyamana, and others had urged Cetewayo strongly to kill me, and what we were waiting for at the gate were his final orders on the subject. However, in this matter, as in more that I could mention, the king played the part of a man of honour, and although he seemed to hesitate for reasons of policy, never had any intention of allowing me to be harmed. On the contrary the command brought was that any one who harmed Macumazahn, the king's guest and messenger, should die with all his House.

Whilst we tarried a number of women gathered round us whose conversation I could not help overhearing. One of them said to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Second Home by Honore de Balzac:

leaving the gloomy streets of the Marais for the first time since the previous autumn, and entering the smiling and picturesque valley of Montmorency; on seeing it in the morning light, its endless horizons receding from view; and then lifting a charmed gaze to eyes which expressed no less infinitude mingled with love?

The Stranger discovered that Caroline was sprightly rather than witty, affectionate, but ill educated; but while her laugh was giddy, her words promised genuine feeling. When, in response to her companion's shrewd questioning, the girl spoke with the heartfelt effusiveness of which the lower classes are lavish, not guarding it with reticence like people of the world, the Black Gentleman's face brightened, and

The third excerpt represents the future or something you must embrace, and is drawn from Polly of the Circus by Margaret Mayo:

"We don't like some of the things that are going on here, and I want to talk to you about 'em."

"Very well, but see if you can't talk in a lower key."

"Never mind about the key," shouted Strong, angrily.

"But I DO mind." Something in his eyes made the deacon lower his voice.

"We want to know how much longer that girl is goin' to stay here?"

"Indeed! And why?" The colour was leaving Douglas's face, and his jaw was becoming very square.

"Because she's been here long enough."