| The first excerpt represents the past or something you must release, and is drawn from Miracle Mongers and Their Methods by Harry Houdini: of an under-sized Italian who lay on his back
on the floor and let fall from his hands,
extended upward at arm's length heavy weights
upon his chest--the silly fool! I said as
much to him--and some other things too.
His act had little entertainment to show
as compared with the pain and danger
involved. I do not know what became of him,
but I can guess.
Among the museum attractions of those
years was a man named Wilson who had the
 Miracle Mongers and Their Methods |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Breaking Point by Mary Roberts Rinehart: that time, for the sense of being a fugitive was constantly
stressed in the familiar streets by the danger of recognition. It
was in vain that he argued with himself that only the police were
interested in his movements, and the casual roundsman not at all.
He found himself shying away from them like a nervous horse.
But if he expected any surprise from Bassett he was disappointed.
He greeted him as if he had seen him yesterday, and explained his
lack of amazement in his first words.
"Doctor Livingstone telephoned me. Sit down, man, and let me look
at you. You've given me more trouble than any human being on earth."
"Sorry," Dick said awkwardly, "I seem to have a faculty of involving
 The Breaking Point |
The third excerpt represents the future or something you must embrace, and is drawn from Nada the Lily by H. Rider Haggard: tree to tree watching me, and always high above my head the wind
sighed in the great boughs with a sound like the sighing of women.
"Still, I went on, singing to myself as I went, that my heart might
not be faint with fear, and at length, towards the end of the second
hour, the trees grew fewer, the ground sloped upwards, and the light
poured down from the heavens again. But, stranger, you are weary, and
the night wears on; sleep now, and to-morrow I will end the tale. Say,
first, how are you named?"
"I am named Umslopogaas, son of Mopo," he answered, "and my tale shall
be told when yours is done; let us sleep!"
Now when Galazi heard this name he started and was troubled, but said
 Nada the Lily |