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Today's Stichomancy for Robert Redford

The first excerpt represents the past or something you must release, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

of an under-sized Italian who lay on his back on the floor and let fall from his hands, extended upward at arm's length heavy weights upon his chest--the silly fool! I said as much to him--and some other things too. His act had little entertainment to show as compared with the pain and danger involved. I do not know what became of him, but I can guess.

Among the museum attractions of those years was a man named Wilson who had the


Miracle Mongers and Their Methods
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Breaking Point by Mary Roberts Rinehart:

that time, for the sense of being a fugitive was constantly stressed in the familiar streets by the danger of recognition. It was in vain that he argued with himself that only the police were interested in his movements, and the casual roundsman not at all. He found himself shying away from them like a nervous horse.

But if he expected any surprise from Bassett he was disappointed. He greeted him as if he had seen him yesterday, and explained his lack of amazement in his first words.

"Doctor Livingstone telephoned me. Sit down, man, and let me look at you. You've given me more trouble than any human being on earth."

"Sorry," Dick said awkwardly, "I seem to have a faculty of involving


The Breaking Point
The third excerpt represents the future or something you must embrace, and is drawn from Nada the Lily by H. Rider Haggard:

tree to tree watching me, and always high above my head the wind sighed in the great boughs with a sound like the sighing of women.

"Still, I went on, singing to myself as I went, that my heart might not be faint with fear, and at length, towards the end of the second hour, the trees grew fewer, the ground sloped upwards, and the light poured down from the heavens again. But, stranger, you are weary, and the night wears on; sleep now, and to-morrow I will end the tale. Say, first, how are you named?"

"I am named Umslopogaas, son of Mopo," he answered, "and my tale shall be told when yours is done; let us sleep!"

Now when Galazi heard this name he started and was troubled, but said


Nada the Lily