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Today's Stichomancy for Ron Howard

The first excerpt represents the past or something you must release, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

deliberately seek a quarrel with them.

But for Tarzan there was no escape. Bolgani was glowering at him from red-rimmed, wicked eyes. In a moment he would rush in and seize the ape-man. Tarzan reached for the hunting knife where he had lain it on the table beside him; but as his fingers did not immediately locate the weapon, he turned a quick glance in search of it. As he did so his eyes fell upon the book he had been looking at which still lay open at the picture of Bolgani. Tarzan found his knife, but he merely fingered it idly and grinned in the direction of the advancing gorilla.


The Jungle Tales of Tarzan
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Of The Nature of Things by Lucretius:

The interstices and paths (which we do call The apertures) in all the members, even In mouth and palate too. Thus some must be More small or yet more large, three-cornered some And others squared, and many others round, And certain of them many-angled too In many modes. For, as the combination And motion of their divers shapes demand, The shapes of apertures must be diverse And paths must vary according to their walls That bound them. Hence when what is sweet to some,


Of The Nature of Things
The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac:

Robert's mind in the midst of his drunkenness. The sweet influence of his beloved native land lends a touch of tender color to this gloomy opening.

"Then comes the wonderful air in C major, supported by the chorus in C minor, so expressive of the subject. '/Je suis Robert/!' he immediately breaks out. The wrath of the prince, insulted by his vassal, is already more than natural anger; but it will die away, for memories of his childhood come to him, with Alice, in the bright and graceful /allegro/ in A major.

"Can you not hear the cries of the innocent dragged into this infernal drama,--a persecuted creature? '/Non, non/,' " sang Gambara, who made


Gambara