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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Glasses by Henry James:

"She has other drawbacks," my companion went on. "Those wonderful eyes are good for nothing but to roll about like sugar-balls--which they greatly resemble--in a child's mouth. She can't use them."

"Use them? Why, she does nothing else."

"To make fools of young men, but not to read or write, not to do any sort of work. She never opens a book, and her maid writes her notes. You'll say that those who live in glass houses shouldn't throw stones. Of course I know that if I didn't wear my goggles I shouldn't be good for much."

"Do you mean that Miss Saunt ought to sport such things?" I exclaimed with more horror than I meant to show.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kenilworth by Walter Scott:

light from the beams of the moon, which penetrated where the axe had made openings in the wood. Their path was repeatedly interrupted by felled trees, or the large boughs which had been left on the ground till time served to make them into fagots and billets. The inconvenience and difficulty attending these interruptions, the breathless haste of the first part of their route, the exhausting sensations of hope and fear, so much affected the Countess's strength, that Janet was forced to propose that they should pause for a few minutes to recover breath and spirits. Both therefore stood still beneath the shadow of a huge old gnarled oak-tree, and both naturally looked


Kenilworth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Agesilaus by Xenophon:

dainty; the meanest beverage was sweet to his lips, and pleasant enough to his taste was the chance fare of the moment; and for the purpose of refreshing slumber every place alike conducive. It was not merely that to fare thus gave him pure pleasure, but in the sense of contrast lay a double satisfaction. Here was he roaming earth freely in the midst of a world of delight,[6] and there lay the Persian, under his eyes, who to escape a life of pain must drag together from the uttermost parts of earth the separate ingredients for his pleasure. It was another source of joy that to himself it was given to confront the appointed order of the universe[7] without pain; while through weakness of soul his rival, it was plain to see, was driven to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secret Places of the Heart by H. G. Wells:

of us is also the whole species, is really indeed all life. "

"A part of it."

"An integral part-as sight is part of a man . . . with no absolute separation from all the rest--no more than a separation of the imagination. The whole so far as his distinctive quality goes. I do not know how this takes shape in your mind, Sir Richmond, but to me this idea of actually being life itself upon the world, a special phase of it dependent upon and connected with all other phases, and of being one of a small but growing number of people who apprehend that, and want to live in the spirit of that, is