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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Othello by William Shakespeare:

O damne her, damne her. Come go with me a-part, I will withdraw To furnish me with some swift meanes of death For the faire Diuell. Now art thou my Lieutenant

Iago. I am your owne for euer.

Exeunt.

Scaena Quarta.

Enter Desdemona, aemilia, and Clown.

Des. Do you know Sirrah, where Lieutenant Cassio lyes?


Othello
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

Was parcel-bearded with the traveller's-joy In Autumn, parcel ivy-clad; and here The warm-blue breathings of a hidden hearth Broke from a bower of vine and honeysuckle: One look'd all rosetree, and another wore A close-set robe of jasmine sown with stars: This had a rosy sea of gillyflowers About it; this, a milky-way on earth, Like visions in the Northern dreamer's heavens, A lily-avenue climbing to the doors; One, almost to the martin-haunted eaves

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Historical Mystery by Honore de Balzac:

tell me what my sons are accused of. Do you really think they have been here?"

The abbe, who seemed to be saying to himself when he saw the old lady, "She will certainly commit some folly," lowered his eyes.

"My duty and the mission I am engaged in forbid me to tell you," answered Corentin, with a gracious but rather mocking air.

This refusal, which the detestable politeness of the vulgar fop seemed to make all the more emphatic, petrified the poor mother, who fell into a chair beside the Abbe Goujet, clasped her hands and began to pray.

"Where did you arrest that blubber?" asked Corentin, addressing the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Buttered Side Down by Edna Ferber:

"Well, back home," confessed Mary Louise, "every six weeks or so was enough, but----"

"Not here," put in the rude young man, briskly. "Never. That's all very well for the country, but it won't do in the city. Once a week, at least, and on the roof. Cleanliness demands it."

"But if I'm going back to the country," replied Mary Louise, "it won't be necessary."

"But you're not," calmly said the collarless young man, just as Mary Louise vanished from sight.

Down at the other end of the hallway on Mary Louise's floor Charlie, the janitor, was doing something to the windows now, with


Buttered Side Down