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Today's Stichomancy for Rush Limbaugh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Songs of Travel by Robert Louis Stevenson:

XX. TO - I knew thee strong and quiet like the hills XXI. The morning drum-call on my eager ear XXII. I have trod the upward and downward slope XXIII. He hears with gladdened heart the thunder XXIV. Farewell, fair day and fading light! XXV. IF THIS WERE FAITH - God, if this were enough XXVI. MY WIFE - Trusty, dusky, vivid, true XXVII. TO THE MUSE - Resign the rhapsody, the dream XXVIII. TO AN ISLAND PRINCESS - Since long ago, a child at home XXIX. TO KALAKAUA - The Sliver Ship, my King - that was her name XXX. TO PRINCESS KAIULANI - Forth form her land to mine she goes

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

"He can, indeed," said Tip, gazing upon the Saw-Horse admiringly.

"Then, bearing us upon his back, he must make a dash through the ranks of the rebels and carry us to my friend the Tin Woodman," announced the Scarecrow.

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"He can't carry four!" objected Tip.

"No, but he may be induced to carry three," said his Majesty. "I shall therefore leave my Royal Army Behind. For, from the ease with which he was conquered, I have little confidence in his powers."

"Still, he can run," declared Tip, laughing.

"I expected this blow" said the Soldier, sulkily; "but I can bear it. I


The Marvelous Land of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Touchstone by Edith Wharton:

"Ah," said the inspired librarian, "Eloise and Abailard."

"Well--something a little nearer, perhaps," said Glennard, with lightness. "Didn't Merimee--"

"The lady's letters, in that case, were not published."

"Of course not," said Glennard, vexed at his blunder.

"There are George Sand's letters to Flaubert."

"Ah!" Glennard hesitated. "Was she--were they--?" He chafed at his own ignorance of the sentimental by-paths of literature.

"If you want love-letters, perhaps some of the French eighteenth century correspondences might suit you better--Mlle. Aisse or Madame de Sabran--"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

'feast' of contradictions 'has been provided.'

...

The Parmenides of Plato belongs to a stage of philosophy which has passed away. At first we read it with a purely antiquarian or historical interest; and with difficulty throw ourselves back into a state of the human mind in which Unity and Being occupied the attention of philosophers. We admire the precision of the language, in which, as in some curious puzzle, each word is exactly fitted into every other, and long trains of argument are carried out with a sort of geometrical accuracy. We doubt whether any abstract notion could stand the searching cross-examination of Parmenides; and may at last perhaps arrive at the conclusion that Plato has