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Today's Stichomancy for Russell Crowe

The first excerpt represents the past or something you must release, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

where those who are willing to make virtue their study and delight fail somehow in ability to add to the glory of their fatherland.[4] That lesson the legislator laid to heart, and in Sparta he enforced, as a matter of public duty, the practice of virtue by every citizen. And so it is that, just as man differs from man in some excellence, according as he cultivates or neglects to cultivate it, this city of Sparta, with good reason, outshines all other states in virtue; since she, and she alone, as made the attainment of a high standard of noble living a public duty.

[4] Is this an autobiographical touch?

And was this not a noble enactment, that whereas other states are

The second excerpt represents the present or the deciding factor of the moment, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

for permission to release the young girl for two hours from her dull labors. Augustine was thus able to make her way through the crowd to see the crowned work. A fit of trembling shook her like an aspen leaf as she recognized herself. She was terrified, and looked about her to find Madame Roguin, from whom she had been separated by a tide of people. At that moment her frightened eyes fell on the impassioned face of the young painter. She at once recalled the figure of a loiterer whom, being curious, she had frequently observed, believing him to be a new neighbor.

"You see how love has inspired me," said the artist in the timid creature's ear, and she stood in dismay at the words.

The third excerpt represents the future or something you must embrace, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

mansion. It was a face to which almost any door would have opened of its own accord.

The young girl, so fresh, so unconventional, and yet so orderly and obedient to common rules, as you at once recognized her to be, was widely in contrast, at that moment, with everything about her. The sordid and ugly luxuriance of gigantic weeds that grew in the angle of the house, and the heavy projection that overshadowed her, and the time-worn framework of the door,--none of these things belonged to her sphere. But, even as a ray of sunshine, fall into what dismal place it may, instantaneously creates for itself a propriety in being there, so did it seem altogether fit that the


House of Seven Gables