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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lin McLean by Owen Wister:

pioneer myself; and why both of us should have pitied the New-Yorker's narrowness so hard I cannot see. But we did. We spoke to him of the size of the country. We told him that his State could rattle round inside Wyoming's stomach without any inconvenience to Wyoming, and he told us that this was because Wyoming's stomach was empty. Altogether I began to feel almost sorry that I had asked him to come out for a hunt, and had travelled in haste all the way from Bear Creek to Cheyenne expressly to meet him.

"For purposes of amusement," he said, "I'll admit anything you claim for this place. Ranches, cowboys, elk; it's all splendid. Only, as an investment I prefer the East. Am I to see any cowboys?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

exaggerated by the ghastly light of the rising moon, the tremendous flight he had taken. For a while he lay, gazing blankly at the vast, pale cliff towering above, rising moment by moment out of a subsiding tide of darkness. Its phantasmal, mysterious beauty held him for a space, and then he was seized with a paroxysm of sobbing laughter . . . .

After a great interval of time he became aware that he was near the lower edge of the snow. Below, down what was now a moon-lit and practicable slope, he saw the dark and broken appearance of rock-strewn turf He struggled to his feet, aching in every joint and limb, got down painfully from the heaped loose snow

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Damaged Goods by Upton Sinclair:

fool, he told himself, as he stood in the darkened room and gazed at the wonderful little mite of life which was the fruit of his love. It was a perfect child, the doctor said--a little small, to be sure, but that was a defect which would soon be remedied. George kneeled by the bedside and kissed the hand of his wife, and went out of the room feeling as if he had escaped from a tomb.

All went well, and after a couple of weeks Henriette was about the house again, laughing all day and singing with joy. But the baby did not gain quite as rapidly as the doctor had hoped, and it was decided that the country air would be better for her. So

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Moby Dick by Herman Melville:

flexible bows, bent round, and bit their own; till those entrails seemed swallowed over and over again by the same mouth, to be oppositely voided by the gaping wound. Nor was this all. It was unsafe to meddle with the corpses and ghosts of these creatures. A sort of generic or Pantheistic vitality seemed to lurk in their very joints and bones, after what might be called the individual life had departed. Killed and hoisted on deck for the sake of his skin, one of these sharks almost took poor Queequeg's hand off, when he tried to shut down the dead lid of his murderous jaw.

*The whaling-spade used for cutting-in is made of the very best steel; is about the bigness of a man's spread hand; and in general


Moby Dick