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Today's Stichomancy for Russell Crowe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

"Through that ivy there's a clear view of the cottage door."

"Good. Keep your eyes open. If a messenger comes for me, he is to be intercepted, you understand. No one must be allowed to disturb us. You will recognize the messenger. He will be one of your fellows. Should he come--hoot three times, as much like an owl as you can."

We walked up to the porch of the cottage. In response to Smith's ringing came James Weymouth, who seemed greatly relieved by our arrival.

"First," said my friend briskly, "you had better run up and see the patient."

Accordingly, I followed Weymouth upstairs and was admitted by his wife to a neat little bedroom where the grief-stricken woman lay, a wanly pathetic sight.


The Insidious Dr. Fu-Manchu
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from De Profundis by Oscar Wilde:

that I had done, and a still greater number of things in my life for which I was never indicted at all. And as the gods are strange, and punish us for what is good and humane in us as much as for what is evil and perverse, I must accept the fact that one is punished for the good as well as for the evil that one does. I have no doubt that it is quite right one should be. It helps one, or should help one, to realise both, and not to be too conceited about either. And if I then am not ashamed of my punishment, as I hope not to be, I shall be able to think, and walk, and live with freedom.

Many men on their release carry their prison about with them into

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Breaking Point by Mary Roberts Rinehart:

the direction of the menace. For as a menace he found himself considering it. It was the broken, windowless East wall, opposite the bunk.

After a time the thing became intolerable. He reached for his revolver, and getting quickly out of the bunk, ran to the doorway and threw open the door, to find himself peering into a blackness like a wall, and to hear a hasty crunching of the underbrush that sounded like some animal in full flight.

With the sounds, and his own movement, the terror died. The cold night air on his face, the feel of the pine needles under his stockinged feet, brought him back to sense and normality. Some


The Breaking Point
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Riders of the Purple Sage by Zane Grey:

cattle into the Pass. There was, however, no indication at all that he ever had driven cattle out at this point. Oldring had many holes to his burrow.

In searching round in the little hollows Venters, much to his relief, found water. He composed himself to rest and eat some bread and meat, while he waited for a sufficient time to elapse so that he could safely give the horses a drink. He judged the hour to be somewhere around noon. Wrangle lay down to rest and Night followed suit. So long as they were down Venters intended to make no move. The longer they rested the better, and the safer it would be to give them water. By and by he forced himself to go


Riders of the Purple Sage