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Today's Stichomancy for Russell Crowe

The first excerpt represents the past or something you must release, and is drawn from Shadow out of Time by H. P. Lovecraft:

row near the top and wholly out of my reach, and wondering how I could climb to best advantage. An open door four rows from the bottom would help, and the locks of the closed doors formed possible holds for hands and feet. I would grip the torch between my teeth, as I had in other places where both hands were needed. Above all I must make no noise. How to get down what I wished to remove would be difficult, but I could probably hook its movable fastener in my coat collar and carry it like a knapsack. Again I wondered whether the lock would be undamaged. That I could repeat each familiar motion I had not the least doubt. But I hoped the thing


Shadow out of Time
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Protagoras by Plato:

any other occasion. This is what is done by those who have the means, and those who have the means are the rich; their children begin to go to school soonest and leave off latest. When they have done with masters, the state again compels them to learn the laws, and live after the pattern which they furnish, and not after their own fancies; and just as in learning to write, the writing-master first draws lines with a style for the use of the young beginner, and gives him the tablet and makes him follow the lines, so the city draws the laws, which were the invention of good lawgivers living in the olden time; these are given to the young man, in order to guide him in his conduct whether he is commanding or obeying; and he who transgresses them is to be corrected, or, in other words, called to account, which is a

The third excerpt represents the future or something you must embrace, and is drawn from The Heritage of the Desert by Zane Grey:

click of steel on bone; and proud Silvermane jumped to his feet with a bit between his teeth.

The Navajo, firmly in the saddle, rose with him, and Silvermane leaped through the corral gate, and out upon the stretch, lengthening out with every stride, and settling into a wild, despairing burst of speed. The white mane waved in the wind; the half-naked Navajo swayed to the motion. Horse and rider disappeared in the cedars.

They were gone all day. Toward night they appeared on the stretch. The Indian rode into camp and, dismounting, handed the bridle-rein to Naab. He spoke no word; his dark impassiveness invited no comment. Silvermane was dust-covered and sweat-stained. His silver crest had the same proud


The Heritage of the Desert