| The first excerpt represents the past or something you must release, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: Breathlessly did Manuela learn that her lover was true, but "dat
light gal, yaas, she mek' nouvena in St. Rocque fo' hees love."
"I give you one lil' charm, yaas," said the Wizened One when the
seance was over, and Manuela, all white and nervous, leaned back
in the rickety chair. "I give you one lil' charm fo' to ween him
back, yaas. You wear h'it 'roun' you' wais', an' he come back.
Den you mek prayer at St. Rocque an' burn can'le. Den you come
back an' tell me, yaas. Cinquante sous, ma'amzelle. Merci.
Good luck go wid you."
Readjusting her veil, Manuela passed out the little wicket gate,
treading on air. Again the sun shone, and the breath of the
 The Goodness of St. Rocque and Other Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: Amazement, as the Captain of the Nautilus had predicted, had already
begun to take possession of me.
"Professor," said this strange man, "you must excuse the unceremonious
way in which I receive you, and the disorder of this room."
"Sir," I answered, "without seeking to know who you are,
I recognise in you an artist."
"An amateur, nothing more, sir. Formerly I loved to collect
these beautiful works created by the hand of man.
I sought them greedily, and ferreted them out indefatigably,
and I have been able to bring together some objects of great value.
These are my last souvenirs of that world which is dead to me.
 20,000 Leagues Under the Sea |
The third excerpt represents the future or something you must embrace, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner: pavement, a man stepped out of the shadow to meet him. It was the
policeman who had been sent to watch the house. Like Muller, he
wore plain clothes.
"Well?" the latter asked.
"Nothing new. Mr. Fellner has been ill in bed several days, quite
seriously ill, they tell me. The janitor seems very fond of him.
"Hm - we'll see what sort of a man he is. You can go back to the
station now, you must be nearly frozen standing here."
Muller looked carefully at the house which bore the number 14. It
was a handsome, old-fashioned building, a true patrician mansion
which looked worthy of all confidence. But Muller knew that the
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