| The first excerpt represents the past or something you must release, and is drawn from Chance by Joseph Conrad: when one does not mean to put one's belief to the test.
Well, whatever it was that encouraged him, Captain Anthony stuck to
Flora de Barral in a manner which in a timid man might have been
called heroic if it had not been so simple. Whether policy,
diplomacy, simplicity, or just inspiration, he kept up his talk,
rather deliberate, with very few pauses. Then suddenly as if
recollecting himself:
"It's funny. I don't think you are annoyed with me for giving you
my company unasked. But why don't you say something?"
I asked Miss de Barral what answer she made to this query.
"I made no answer," she said in that even, unemotional low voice
 Chance |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from At the Mountains of Madness by H. P. Lovecraft: of course, will be jeered at as obvious impostures, notwithstanding
a strangeness of technique which art experts ought to remark and
puzzle over.
In the end I must rely on the judgment and standing
of the few scientific leaders who have, on the one hand, sufficient
independence of thought to weigh my data on its own hideously
convincing merits or in the light of certain primordial and highly
baffling myth cycles; and on the other hand, sufficient influence
to deter the exploring world in general from any rash and over-ambitious
program in the region of those mountains of madness. It is an
unfortunate fact that relatively obscure men like myself and my
 At the Mountains of Madness |
The third excerpt represents the future or something you must embrace, and is drawn from Charmides and Other Poems by Oscar Wilde: With pale green nails of polished jade.
The red leaves fall upon the mould,
The white leaves flutter, one by one,
Down to a blue bowl where the sun,
Like a great dragon, writhes in gold.
The white leaves float upon the air,
The red leaves flutter idly down,
Some fall upon her yellow gown,
And some upon her raven hair.
She takes an amber lute and sings,
And as she sings a silver crane
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