| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon: master himself may have a man to help him on to horseback without
trouble, or, if he so wish, be able to oblige a friend with a man to
mount him.[8]
[7] Cf. "Anab." IV. iv. 4; "Hipparch," i. 17; "Cyrop." VII. i. 38.
[8] An {anaboleus}. Cf. Plut. "C. Gracch." 7.
The one best precept--the golden rule--in dealing with a horse is
never to approach him angrily. Anger is so devoid of forethought that
it will often drive a man to do things which in a calmer mood he will
regret.[9] Thus, when a horse is shy of any object and refuses to
approach it, you must teach him that there is nothing to be alarmed
at, particularly if he be a plucky animal;[10] or, failing that, touch
 On Horsemanship |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: had in her heart another love which she alternately remembered and
forgot. In a moment Henri was assailed by a thousand contradictory
thoughts. This girl became a mystery for him; but as he contemplated
her with the scientific attention of the /blase/ man, famished for new
pleasures, like that Eastern king who asked that a pleasure should be
created for him,--a horrible thirst with which great souls are seized,
--Henri recognized in Paquita the richest organization that Nature had
ever deigned to compose for love. The presumptive play of this
machinery, setting aside the soul, would have frightened any other man
than Henri; but he was fascinated by that rich harvest of promised
pleasures, by that constant variety in happiness, the dream of every
 The Girl with the Golden Eyes |