| The first excerpt represents the past or something you must release, and is drawn from Amy Foster by Joseph Conrad: lessly. It came slowly, but when it came it worked
like a powerful spell; it was love as the Ancients
understood it: an irresistible and fateful impulse--
a possession! Yes, it was in her to become haunted
and possessed by a face, by a presence, fatally, as
though she had been a pagan worshipper of form
under a joyous sky--and to be awakened at last
from that mysterious forgetfulness of self, from
that enchantment, from that transport, by a
fear resembling the unaccountable terror of a
brute. . . ."
Amy Foster |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from American Notes by Rudyard Kipling: was being gradually solved by the ballot and by education.
All the beauty of the valley could not make me forget it. And
the valley is very fair. Bench after bench of land, flat as a
table against the flanks of the ringing hills, marks where the
Salt Lake rested for awhile in its collapse from an inland sea to
a lake fifty miles long and thirty broad.
There are the makings of a very fine creed about Mormonism. To
begin with, the Church is rather more absolute than that of Rome.
Drop the polygamy plank in the platform, but on the other hand
deal lightly with certain forms of excess; keep the quality of
the recruit down to the low mental level, and see that the best
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The third excerpt represents the future or something you must embrace, and is drawn from Oedipus Trilogy by Sophocles: My murderer and the filcher of my crown?
Come, answer this, didst thou detect in me
Some touch of cowardice or witlessness,
That made thee undertake this enterprise?
I seemed forsooth too simple to perceive
The serpent stealing on me in the dark,
Or else too weak to scotch it when I saw.
This _thou_ art witless seeking to possess
Without a following or friends the crown,
A prize that followers and wealth must win.
CREON
Oedipus Trilogy |
