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Today's Stichomancy for Salvador Dali

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Romeo and Juliet by William Shakespeare:

Tib. Patience perforce, with wilfull choler meeting, Makes my flesh tremble in their different greeting: I will withdraw, but this intrusion shall Now seeming sweet, conuert to bitter gall. Enter.

Rom. If I prophane with my vnworthiest hand, This holy shrine, the gentle sin is this, My lips to blushing Pilgrims did ready stand, To smooth that rough touch, with a tender kisse

Iul. Good Pilgrime, You do wrong your hand too much.


Romeo and Juliet
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alcibiades II by Platonic Imitator:

melesei tis...kaka: oti pas aphron mainetai): and the writer seems to have been acquainted with the 'Laws' of Plato (compare Laws). An incident from the Symposium is rather clumsily introduced, and two somewhat hackneyed quotations (Symp., Gorg.) recur. The reference to the death of Archelaus as having occurred 'quite lately' is only a fiction, probably suggested by the Gorgias, where the story of Archelaus is told, and a similar phrase occurs;--ta gar echthes kai proen gegonota tauta, k.t.l. There are several passages which are either corrupt or extremely ill- expressed. But there is a modern interest in the subject of the dialogue; and it is a good example of a short spurious work, which may be attributed to the second or third century before Christ.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Statesman by Plato:

remarks, because I want you to get rid of any impression that our discussion about weaving and about the reversal of the universe, and the other discussion about the Sophist and not-being, were tedious and irrelevant. Please to observe that they can only be fairly judged when compared with what is meet; and yet not with what is meet for producing pleasure, nor even meet for making discoveries, but for the great end of developing the dialectical method and sharpening the wits of the auditors. He who censures us, should prove that, if our words had been fewer, they would have been better calculated to make men dialecticians.

And now let us return to our king or statesman, and transfer to him the example of weaving. The royal art has been separated from that of other


Statesman
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

softly up through the field and, opening a window, got into the bedroom without noise.

"Monsieur has doubtless been in business--?" began Gaudissart.

"Public business," answered Margaritis, interrupting him. "I pacificated Calabria under the reign of King Murat."

"Bless me! if he hasn't gone to Calabria!" whispered Monsieur Vernier.

"In that case," said Gaudissart, "we shall quickly understand each other."

"I am listening," said Margaritis, striking the attitude taken by a man when he poses to a portrait-painter.

"Monsieur," said Gaudissart, who chanced to be turning his watch-key