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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

scarcely distinguish it from the smoke that gushed out of its crater. But still the poor child screamed, and scattered her apron full of flowers along the way, and left a long cry trailing behind the chariot; and many mothers, to whose ears it came, ran quickly to see if any mischief had befallen their children. But Mother Ceres was a great way off, and could not hear the cry.

As they rode on, the stranger did his best to soothe her.

"Why should you be so frightened, my pretty child?" said he, trying to soften his rough voice. "I promise not to do you any harm. What! you have been gathering flowers? Wait till we come


Tanglewood Tales
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Chance by Joseph Conrad:

is big enough for us two. You need not be afraid. If you say so I shall not even look at you. Remember that grey head of which you have been thinking night and day. Where is it going to rest? Where else if not here, where nothing evil can touch it. Don't you understand that I won't let you buy shelter from me at the cost of your very soul. I won't. You are too much part of me. I have found myself since I came upon you and I would rather sell my own soul to the devil than let you go out of my keeping. But I must have the right."

He went away brusquely to shut the door leading on deck and came back the whole length of the cabin repeating:


Chance
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the Cage by Henry James:

lady's little figure violently trembled, in the approach, with the measure of its power to dissipate. Everything indeed grew in a flash terrific and distinct; her old uncertainties fell away from her, and, since she was so familiar with fate, she felt as if the very nail that fixed it were driven in by the hard look with which, for a moment, Captain Everard awaited her.

The vestibule was open behind him and the porter as absent as on the day she had peeped in; he had just come out--was in town, in a tweed suit and a pot hat, but between two journeys--duly bored over his evening and at a loss what to do with it. Then it was that she was glad she had never met him in that way before: she reaped with

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Verses 1889-1896 by Rudyard Kipling:

W'y, they call a man a robber if 'e stuffs 'is marchin' clobber With the -- (~Chorus~) Loo! loo! Lulu! lulu! Loo! loo! Loot! loot! loot! Ow the loot! Bloomin' loot! That's the thing to make the boys git up an' shoot! It's the same with dogs an' men, If you'd make 'em come again Clap 'em forward with a Loo! loo! Lulu! Loot! (~ff~) Whoopee! Tear 'im, puppy! Loo! loo! Lulu! Loot! loot! loot!


Verses 1889-1896