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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The School For Scandal by Richard Brinsley Sheridan:

not--that if I do not appear mortified at the exposure of my Follies, it is because I feel at this moment the warmest satisfaction in seeing you, my liberal benefactor.

SIR OLIVER. Charles--I believe you--give me your hand again: the ill-looking little fellow over the Couch has made your Peace.

CHARLES. Then Sir--my Gratitude to the original is still encreased.

LADY TEAZLE. [Advancing.] Yet I believe, Sir Oliver, here is one whom Charles is still more anxious to be reconciled to.

SIR OLIVER. O I have heard of his Attachment there--and, with the young Lady's Pardon if I construe right that Blush----

SIR PETER. Well--Child--speak your sentiments--you know--we are

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gulliver's Travels by Jonathan Swift:

view with great pleasure and curiosity, peeping in at the door and every window. I retreated to the farther corner of my room; or box; but the monkey looking in at every side, put me in such a fright, that I wanted presence of mind to conceal myself under the bed, as I might easily have done. After some time spent in peeping, grinning, and chattering, he at last espied me; and reaching one of his paws in at the door, as a cat does when she plays with a mouse, although I often shifted place to avoid him, he at length seized the lappet of my coat (which being made of that country silk, was very thick and strong), and dragged me out. He took me up in his right fore-foot and held me as a nurse


Gulliver's Travels
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from St. Ives by Robert Louis Stevenson:

see; but at this it suddenly cleared. 'Oh, I ain't afraid!' he said; and then, choking into laughter, 'why, I see it from the first!'

I could have beaten him. But I had so grossly overshot the mark that I suppose it took me two good miles of road and half an hour of elocution to persuade him I had been in earnest. In the course of which I became so interested in demonstrating my present danger that I forgot all about my future safety, and not only told him the story of Goguelat, but threw in the business of the drovers as well, and ended by blurting out that I was a soldier of Napoleon's and a prisoner of war.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Unseen World and Other Essays by John Fiske:

of some vague preference for a different view is in scientific matters the one unpardonable sin,--a sin which has been only too often committed. Even in matters which lie beyond the range of experience, where evidence is inaccessible, desire is not to be regarded as by itself an adequate basis for belief. But it seems to me that Mr. Mill showed a deeper knowledge of the limitations of scientific method than his critics, when he thus hinted at the possibility of entertaining a belief not amenable to scientific tests. The hypothesis of a purely spiritual unseen world, as above described, is entirely removed from the jurisdiction of physical inquiry, and can only be judged on general


The Unseen World and Other Essays