Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the past or something you must release, and is drawn from Within the Tides by Joseph Conrad:

in the thought of the years so easily dealt with; his own years, too, they were, the years before and the years (not so many) after Cloete came upon the scene. When he began to speak again, I discerned his intention to point out to me, in his obscure and graphic manner, the influence on George Dunbar of long association with Cloete's easy moral standards, unscrupulously persuasive gift of humour (funny fellow), and adventurously reckless disposition. He desired me anxiously to elaborate this view, and I assured him it was quite within my powers. He wished me also to understand that George's business had its ups and downs (the other brother was meantime sailing to and fro serenely); that he got into low water


Within the Tides
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Alkahest by Honore de Balzac:

by him for him: her passion had a tinge of that Spanish piety which allows no separation between religion and love, and believes in no sentiment without suffering. She waited for the return of her husband's affection, saying daily to herself, "To-morrow it may come," --treating her happiness as though it were an absent friend.

During this stage of her secret distress, she conceived her last child. Horrible crisis, which revealed a future of anguish! In the midst of her husband's abstractions love showed itself on this occasion an abstraction even greater than the rest. Her woman's pride, hurt for the first time, made her sound the depths of the unknown abyss which separated her from the Claes of earlier days. From that

The third excerpt represents the future or something you must embrace, and is drawn from The Wheels of Chance by H. G. Wells:

the lines she had designed-. She had read her Olive Schreiner and George Egerton, and so forth, with all the want of perfect comprehension of one who is still emotionally a girl. She knew the thing to do was to have a flat and to go to the British Museum and write leading articles for the daily p,tpers until something better came along. If Bechamel (detestable person) had kept his promises, instead of behaving with unspeakable horridness, all would have been well. Now her only hope was that liberal-minded woman, Miss Mergle, who, a year ago, had sent her out, highly educated, into the world. Miss Mergle had told her at parting to live fearlessly and truly, and had further given her a