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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Another Study of Woman by Honore de Balzac:

too much sense to attack religion. Society is tottering, and you deprive it of its support. Why, religion at this moment means you and me; it is property, and the future of our children! Ah! let us not be selfish! Individualism is the disease of the age, and religion is the only remedy; it unites families which your laws put asunder,' and so forth. Then she plunges into some neo-Christian speech sprinkled with political notions which is neither Catholic nor Protestant--but moral? Oh! deuced moral!--in which you may recognize a fag end of every material woven by modern doctrines, at loggerheads together."

The women could not help laughing at the airs by which Blondet illustrated his satire.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

a month under the nose of an uncle who has forty thousand francs a year, and who has already behaved so kindly to Captain Gilet, his natural relation, here present--"

"Yes, Philippe," cried the old man, "you must see that!"

On Flore's presentation, Philippe made a half-timid bow to Max.

"Uncle, I have some pictures to return to you; they are now at Monsieur Hochon's. Will you be kind enough to come over some day and identify them."

Saying these last words in a curt tone, lieutenant-colonel Philippe Bridau departed. The tone of his visit made, if possible, a deeper impression on Flore's mind, and also on that of Max, than the shock

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wizard of Oz by L. Frank Baum:

childish hearts than all other human creations.

Yet the old time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident.

Having this thought in mind, the story of "The Wonderful


The Wizard of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jolly Corner by Henry James:

each time he was there, though he didn't name them all to his companion, any more than he told her as yet how often, how quite absurdly often, he himself came. He only let her see for the present, while they walked through the great blank rooms, that absolute vacancy reigned and that, from top to bottom, there was nothing but Mrs. Muldoon's broomstick, in a corner, to tempt the burglar. Mrs. Muldoon was then on the premises, and she loquaciously attended the visitors, preceding them from room to room and pushing back shutters and throwing up sashes - all to show them, as she remarked, how little there was to see. There was little indeed to see in the great gaunt shell where the main