| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Damien by Robert Louis Stevenson: small respect, and through whose unprepared and scarcely partial
communications the plain, human features of the man shone on me
convincingly. These gave me what knowledge I possess; and I learnt
it in that scene where it could be most completely and sensitively
understood - Kalawao, which you have never visited, about which you
have never so much as endeavoured to inform yourself; for, brief as
your letter is, you have found the means to stumble into that
confession. "LESS THAN ONE-HALF of the island," you say, "is
devoted to the lepers." Molokai - "MOLOKAI AHINA," the "grey,"
lofty, and most desolate island - along all its northern side
plunges a front of precipice into a sea of unusual profundity.
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall: into distinct groups, each consisting of a dominant mass surrounded
by peaks of lesser elevation. The power which lifted the mightier
eminences, in nearly all cases lifted others to an almost equal
height. And so it is with the discoveries of Faraday. As a general
rule, the dominant result does not stand alone, but forms the
culminating point of a vast and varied mass of inquiry. In this
way, round about his great discovery of Magneto-electric Induction,
other weighty labours group themselves. His investigations on the
Extra Current; on the Polar and other Condition of Diamagnetic
Bodies; on Lines of Magnetic Force, their definite character and
distribution; on the employment of the Induced Magneto-electric
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Woman of No Importance by Oscar Wilde: MRS. ARBUTHNOT. So she comes first, you are worthy. And when you
are away, Gerald . . . with . . . her - oh, think of me sometimes.
Don't forget me. And when you pray, pray for me. We should pray
when we are happiest, and you will be happy, Gerald.
HESTER. Oh, you don't think of leaving us?
GERALD. Mother, you won't leave us?
MRS. ARBUTHNOT. I might bring shame upon you!
GERALD. Mother!
MRS. ARBUTHNOT. For a little then: and if you let me, near you
always.
HESTER. [To MRS. ARBUTHNOT.] Come out with us to the garden.
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson: of men and scenes, rigging up (it may be) some especial friend in
the attire of a buccaneer, and decreeing armies to manoeuvre, or
murder to be done, on the playground of their youth. But the
memories are a fairy gift which cannot be worn out in using. After
a dozen services in various tales, the little sunbright pictures of
the past still shine in the mind's eye with not a lineament
defaced, not a tint impaired. GLUCK UND UNGLUCK WIRD GESANG, if
Goethe pleases; yet only by endless avatars, the original re-
embodying after each. So that a writer, in time, begins to wonder
at the perdurable life of these impressions; begins, perhaps, to
fancy that he wrongs them when he weaves them in with fiction; and
|
