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Today's Stichomancy for Scarlett Johansson

The first excerpt represents the past or something you must release, and is drawn from A Lover's Complaint by William Shakespeare:

Found yet mo letters sadly penn'd in blood, With sleided silk feat and affectedly Enswath'd, and seal'd to curious secrecy.

These often bath'd she in her fluxive eyes, And often kiss'd, and often 'gan to tear; Cried, 'O false blood, thou register of lies, What unapproved witness dost thou bear! Ink would have seem'd more black and damned here!' This said, in top of rage the lines she rents, Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh,

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Philosophy 4 by Owen Wister:

"The duality, or multiplicity of the ego remains," Oscar replied.

"Oh, I know its name. It ought to be a soft snap after what we've had."

"Unless it's full of dates and names you've got to know," said Bertie.

"Don't believe it is," Billy answered. "I heard him at it once." (This meant that Billy had gone to a lecture lately.) "It's all about Who am I? and How do I do it?" Billy added.

"Hm!" said Bertie. "Hm! Subjective and objective again, I suppose, only applied to oneself. You see, that table is objective. I can stand off and judge it. It's outside of me; has nothing to do with me. That's easy. But my opinion of--well, my--well, anything in my nature--"

"Anger when it's time to get up," suggested Billy.

The third excerpt represents the future or something you must embrace, and is drawn from The Taming of the Shrew by William Shakespeare:

To come to me forthwith.

[Exit BIONDELLO.]

PETRUCHIO. O, ho! entreat her! Nay, then she must needs come.

HORTENSIO. I am afraid, sir, Do what you can, yours will not be entreated.

[Re-enter BIONDELLO.]

Now, where's my wife?

BIONDELLO.


The Taming of the Shrew