| The first excerpt represents the past or something you must release, and is drawn from Mansfield Park by Jane Austen: before how much the beginnings and progress of vegetation
had delighted her. What animation, both of body and mind,
she had derived from watching the advance of that season
which cannot, in spite of its capriciousness, be unlovely,
and seeing its increasing beauties from the earliest
flowers in the warmest divisions of her aunt's garden,
to the opening of leaves of her uncle's plantations,
and the glory of his woods. To be losing such pleasures
was no trifle; to be losing them, because she was in
the midst of closeness and noise, to have confinement,
bad air, bad smells, substituted for liberty,
 Mansfield Park |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Across The Plains by Robert Louis Stevenson: together to the train, talking he knew not what, made the journey
back in the same carriage, sat down to dinner, and passed the
evening in the drawing-room as in the past. But suspense and fear
drummed in the dreamer's bosom. "She has not denounced me yet" -
so his thoughts ran - "when will she denounce me? Will it be to-
morrow?" And it was not to-morrow, nor the next day, nor the next;
and their life settled back on the old terms, only that she seemed
kinder than before, and that, as for him, the burthen of his
suspense and wonder grew daily more unbearable, so that he wasted
away like a man with a disease. Once, indeed, he broke all bounds
of decency, seized an occasion when she was abroad, ransacked her
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The third excerpt represents the future or something you must embrace, and is drawn from The Count of Monte Cristo by Alexandre Dumas: "Does the sum you gave for them make the animals less
beautiful," inquired the count, shrugging his shoulders.
"Nay, if your excellency is satisfied, it is all that I
could wish. Whither does your excellency desire to be
driven?"
"To the residence of Baron Danglars, Rue de la Chaussee
d'Antin." This conversation had passed as they stood upon
the terrace, from which a flight of stone steps led to the
carriage-drive. As Bertuccio, with a respectful bow, was
moving away, the count called him back. "I have another
commission for you, M. Bertuccio," said he; "I am desirous
 The Count of Monte Cristo |