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Today's Stichomancy for Sean Astin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Sergius by Leo Tolstoy:

Abbot, whom he saw standing beside another glittering figure.

The Abbot was standing by the wall in his vestments. Having freed his short plump hands from beneath his chasuble he had folded them over his fat body and protruding stomach, and fingering the cords of his vestments was smilingly saying something to a military man in the uniform of a general of the Imperial suite, with its insignia and shoulder-knots which Father Sergius's experienced eye at once recognized. This general had been the commander of the regiment in which Sergius had served. He now evidently occupied an important position, and Father Sergius at once noticed that the Abbot was aware of this and that his red

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Faraday as a Discoverer by John Tyndall:

which guided him, and connected them; to gain entrance into that strong and active brain, and read from it the riddle of the world-- this is a work not easy of performance, and all but impossible amid the distraction of duties of another kind. That I should at one period or another speak to you regarding Faraday and his work is natural, if not inevitable; but I did not expect to be called upon to speak so soon. Still the bare suggestion that this is the fit and proper time for speech sent me immediately to my task: from it I have returned with such results as I could gather, and also with the wish that those results were more worthy than they are of the greatness of my theme.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Roads of Destiny by O. Henry:

tail of a Connecticut insurance company that was trying to do business contrary to the edicts of the great Lone Star State.

The office was very still. A few subdued noises trickled in through the open door from the other departments--a dull tinkling crash from the treasurer's office adjoining, as a clerk tossed a bag of silver to the floor of the vault--the vague, intermittent clatter of a dilatory typewriter--a dull tapping from the state geologist's quarters as if some woodpecker had flown in to bore for his prey in the cool of the massive building--and then a faint rustle and the light shuffling of the well-worn shoes along the hall, the sounds ceasing at the door toward which the commissioner's lethargic back was presented.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Twenty Years After by Alexandre Dumas:

in D'Artagnan's proposal, "pooh! who are you, in the first place, to ask me to take a turn with you?"

"I am lieutenant in his majesty's musketeers," said D'Artagnan, "and consequently your superior in everything; only, as the question now is not of rank, but of quarters -- you know the custom -- come and seek for yours; the first to return will recover his chamber."

D'Artagnan led away the Swiss in spite of lamentations on the part of the hostess, who in reality found her heart inclining toward her former lover, though she would not have been sorry to give a lesson to that haughty musketeer who


Twenty Years After