| The first excerpt represents the past or something you must release, and is drawn from Sarrasine by Honore de Balzac: her peace, as if a terrible thought had suddenly revealed some
catastrophe. When it was time to return to Rome she entered a berlin
with four seats, bidding the sculptor, with a cruelly imperious air,
to return alone in the phaeton. On the road, Sarrasine determined to
carry off La Zambinella. He passed the whole day forming plans, each
more extravagant than the last. At nightfall, as he was going out to
inquire of somebody where his mistress lived, he met one of his
fellow-artists at the door.
" 'My dear fellow,' he said, I am sent by our ambassador to invite you
to come to the embassy this evening. He gives a magnificent concert,
and when I tell you that La Zambinella will be there--'
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iliad by Homer: go up to him and stay him by force or by persuasion, but he sits
aloof and cares for nobody, for he knows that he is much stronger
than any other of the immortals. Make the best, therefore, of
whatever ills he may choose to send each one of you; Mars, I take
it, has had a taste of them already, for his son Ascalaphus has
fallen in battle--the man whom of all others he loved most dearly
and whose father he owns himself to be."
When he heard this Mars smote his two sturdy thighs with the flat
of his hands, and said in anger, "Do not blame me, you gods that
dwell in heaven, if I go to the ships of the Achaeans and avenge
the death of my son, even though it end in my being struck by
 The Iliad |
The third excerpt represents the future or something you must embrace, and is drawn from The Profits of Religion by Upton Sinclair: Jesus condemned the holding of wealth. He even took the
precaution to write a letter to the clergyman announcing in
advance what he intended to do! And how did the clergyman prepare
for him? With the sword of truth and the armor of the spirit?
No--but with two or three dozen strong-arm men, who flung
themselves upon the Socialist author and hurled him out of the
church. So violent were they that several of White's friends,
also one or two casual spectators, were moved to protest; what
happened then, let us read in the New York "Sun", the most
bitterly hostile to radicalism of all the metropolitan
newspapers. Says the "Sun's' report:
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