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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Black Dwarf by Walter Scott:

that I was carried off by ruffians, whose persons and object were alike unknown to me, and am now restored to freedom by means of this gentleman's gallant interference."

"By whom, and wherefore, could this have been done?" pursued Mareschal.--"Had you no knowledge of the place to which you were conveyed?--Earnscliff, where did you find this lady?"

But ere either question could be answered, Ellieslaw advanced, and, returning his sword to the scabbard, cut short the conference.

"When I know," he said, "exactly how much I owe to Mr. Earnscliff, he may rely on suitable acknowledgments; meantime,"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum:

When the shelf became filled with rows of toys he made another one, and filled that also. So that in time he had many shelves filled with gay and beautiful toys representing horses, dogs, cats, elephants, lambs, rabbits and deer, as well as pretty dolls of all sizes and balls and marbles of baked clay painted in gay colors.

Often, as he glanced at this array of childish treasures, the heart of good old Claus became sad, so greatly did he long to carry the toys to his children. And at last, because he could bear it no longer, he ventured to go to the great Ak, to whom he told the story of his persecution by the Awgwas, and begged the Master Woodsman to assist him.

7. The Great Battle Between Good and Evil


The Life and Adventures of Santa Claus
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cratylus by Plato:

barbarous age. How, he would probably have argued, could men devoid of art have contrived a structure of such complexity? No answer could have been given to this question, either in ancient or in modern times, until the nature of primitive antiquity had been thoroughly studied, and the instincts of man had been shown to exist in greater force, when his state approaches more nearly to that of children or animals. The philosophers of the last century, after their manner, would have vainly endeavoured to trace the process by which proper names were converted into common, and would have shown how the last effort of abstraction invented prepositions and auxiliaries. The theologian would have proved that language must have had a divine origin, because in childhood, while the organs are pliable,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Crito by Plato:

am to die?

CRITO: No, the ship has not actually arrived, but she will probably be here to-day, as persons who have come from Sunium tell me that they have left her there; and therefore to-morrow, Socrates, will be the last day of your life.

SOCRATES: Very well, Crito; if such is the will of God, I am willing; but my belief is that there will be a delay of a day.

CRITO: Why do you think so?

SOCRATES: I will tell you. I am to die on the day after the arrival of the ship?

CRITO: Yes; that is what the authorities say.