| The first excerpt represents the past or something you must release, and is drawn from The Legend of Sleepy Hollow by Washington Irving: there at least the dead might rest in peace. On one side of the
church extends a wide woody dell, along which raves a large brook
among broken rocks and trunks of fallen trees. Over a deep black
part of the stream, not far from the church, was formerly thrown
a wooden bridge; the road that led to it, and the bridge itself,
were thickly shaded by overhanging trees, which cast a gloom
about it, even in the daytime; but occasioned a fearful darkness
at night. Such was one of the favorite haunts of the Headless
Horseman, and the place where he was most frequently encountered.
The tale was told of old Brouwer, a most heretical disbeliever in
ghosts, how he met the Horseman returning from his foray into
 The Legend of Sleepy Hollow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Deserted Woman by Honore de Balzac: exclamation; he turned sharply, saying, "I have forgotten something,"
and went back to the salon. The lackey, all respect for a baron and
the rights of property, was completely deceived by the natural
utterance, and followed him. Gaston returned quietly and unannounced.
The Vicomtesse, thinking that the intruder was the servant, looked up
and beheld M. de Nueil.
"Jacques lighted me to the door," he said, with a half-sad smile which
dispelled any suspicion of jest in those words, while the tone in
which they were spoken went to the heart. Mme. de Beauseant was
disarmed.
"Very well, take a seat," she said.
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The third excerpt represents the future or something you must embrace, and is drawn from Chance by Joseph Conrad: remorseless brigand. When a woman takes to any sort of unlawful
man-trade, there's nothing to beat her in the way of thoroughness.
It's true that you will find people who'll tell you that this
terrific virulence in breaking through all established things, is
altogether the fault of men. Such people will ask you with a clever
air why the servile wars were always the most fierce, desperate and
atrocious of all wars. And you may make such answer as you can--
even the eminently feminine one, if you choose, so typical of the
women's literal mind "I don't see what this has to do with it!" How
many arguments have been knocked over (I won't say knocked down) by
these few words! For if we men try to put the spaciousness of all
 Chance |