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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from House of Mirth by Edith Wharton:

voice exclaimed.

Lily looked up. The speaker was a poorly-dressed young woman with a bundle under her arm. Her face had the air of unwholesome refinement which ill-health and over-work may produce, but its common prettiness was redeemed by the strong and generous curve of the lips.

"You don't remember me," she continued, brightening with the pleasure of recognition, "but I'd know you anywhere, I've thought of you such a lot. I guess my folks all know your name by heart. I was one of the girls at Miss Farish's club--you helped me to go to the country that time I had lung-trouble. My name's Nettie

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

presented to us. And this is very specially the case with the inhabitants of the sea. We can scarcely poke or pry for an hour among the rocks, at low-water mark, or walk, with an observant downcast eye, along the beach after a gale, without finding some oddly-fashioned, suspicious-looking being, unlike any form of life that we have seen before. The dark concealed interior of the sea becomes thus invested with a fresh mystery; its vast recesses appear to be stored with all imaginable forms; and we are tempted to think there must be multitudes of living creatures whose very figure and structure have never yet been suspected.

"'O sea! old sea! who yet knows half

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gambara by Honore de Balzac:

haughty and overbearing mistress, with whom you have struggled for him to this day.

"Once, for an instant, you had a vision of happiness. Paolo, tumbling from the lofty sphere where his spirit was constantly soaring, was amazed to find reality so sweet; you fancied that his madness would be lulled in the arms of love. But before long Music again clutched her prey. The dazzling mirage which had cheated you into the joys of reciprocal love made the lonely path on which you had started look more desolate and barren.

"In the tale your husband has just told me, I could read, as plainly as in the contrast between your looks and his, all the painful secrets


Gambara
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Communist Manifesto by Karl Marx:

drawn from under the feet of industry the national ground on which it stood. All old-established national industries have been destroyed or are daily being destroyed. They are dislodged by new industries, whose introduction becomes a life and death question for all civilised nations, by industries that no longer work up indigenous raw material, but raw material drawn from the remotest zones; industries whose products are consumed, not only at home, but in every quarter of the globe. In place of the old wants, satisfied by the productions of the country, we find new wants, requiring for their satisfaction the products of distant lands and climes. In place of the old local and national


The Communist Manifesto