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Today's Stichomancy for Sergio Leone

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Where There's A Will by Mary Roberts Rinehart:

four people in the house takin' baths regular--without his buttin' in!"

"Where's Mr. Moody?"

"In the bath. I've locked up his clothes."

"You give him a needle shower and a salt rub," I ordered, "and if he makes a fuss just send for me. And, Mike," I said, as he started out, "ask Mr. Van Alstyne to come out here immediately."

That's the way it was all the time. Everybody brought their troubles to me, and I guess I thought I was a little tin god on wheels and the place couldn't get along without me. But it did; it does. We all think we'll leave a big hole behind us when we

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales of the Klondyke by Jack London:

words to that effect."

"Unt dey can't shoot him, or hit him mit a club over der head alongside, or do nodings more mit him?"

"No, suh."

"Goot! You hear vot Kentucky speaks, all you noddleheads? Now I talk mit Bill. You know der piziness, Bill, und you hang me up brown, eh? Vot you say?"

"'Betcher life, an', Jan, if yeh don't give no more trouble ye'll be almighty proud of the job. I'm a connesoor."

"You haf der great head, Bill, und know somedings or two. Und you know two und one makes tree--ain't it?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

capital."

"It is true," he answered, musingly.

The clock on the mantle struck two.

"A thousand dollars for every year of my life," she said. "You and I, Uxbridge, know the value and beauty of money.

"Yes, there is beauty in money, and"--looking at me--"beauty without it."

"The striking of the clock," I soliloquized, "proves that this scene is not a phantasm."

"Margaret is fatigued," he said, rising. "May I come to-morrow?"

"It is my part only," replied Aunt Eliza, "to see that she is,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

ready to meet your God."

When Bridger had finished I asked him:

"Did he get the right man?"

"He did," said the Consul.

"And how did he know?" I inquired, being in a kind of bewilderment.

"When he put Morgan in the dory," answered Bridger, "the next day to take him aboard the Pajaro, this man Plunkett stopped to shake hands with me and I asked him the same question."

"'Mr. Bridger,' said he, 'I'm a Kentuckian, and I've