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Today's Stichomancy for Shakira

The first excerpt represents the past or something you must release, and is drawn from The Turn of the Screw by Henry James:

of its charming kind that I know to have involved a child. If the child gives the effect another turn of the screw, what do you say to TWO children--?"

"We say, of course," somebody exclaimed, "that they give two turns! Also that we want to hear about them."

I can see Douglas there before the fire, to which he had got up to present his back, looking down at his interlocutor with his hands in his pockets. "Nobody but me, till now, has ever heard. It's quite too horrible." This, naturally, was declared by several voices to give the thing the utmost price, and our friend, with quiet art, prepared his triumph by turning his eyes

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Resurrection by Leo Tolstoy:

surprised how simple it all was. It was simple because he was not thinking now of what would be the results for himself, but only thought of what he had to do. And, strange to say, what he had to do for himself he could not decide, but what he had to do for others he knew without any doubt. He had no doubt that he must not leave Katusha, but go on helping her. He had no doubt that he must study, investigate, clear up, understand all this business concerning judgment and punishment, which he felt he saw differently to other people. What would result from it all he did not know, but he knew for certain that he must do it. And this firm assurance gave him joy.


Resurrection
The third excerpt represents the future or something you must embrace, and is drawn from Daisy Miller by Henry James:

And when she has got on my shawl, too! She is always wearing my things."

The lady in question, ceasing to advance, hovered vaguely about the spot at which she had checked her steps.

"I am afraid your mother doesn't see you," said Winterbourne. "Or perhaps," he added, thinking, with Miss Miller, the joke permissible--"perhaps she feels guilty about your shawl."

"Oh, it's a fearful old thing!" the young girl replied serenely. "I told her she could wear it. She won't come here because she sees you."

"Ah, then," said Winterbourne, "I had better leave you."

"Oh, no; come on!" urged Miss Daisy Miller.

"I'm afraid your mother doesn't approve of my walking with you."