| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tristram Shandy by Laurence Sterne: bear the shock at all below stairs--or indeed above stairs, in any other
posture, but the very posture I have described?
--Throw yourself down upon the bed, a dozen times--taking care only to
place a looking-glass first in a chair on one side of it, before you do it-
-But was the stranger's nose a true nose, or was it a false one?
To tell that before-hand, madam, would be to do injury to one of the best
tales in the Christian-world; and that is the tenth of the tenth decade,
which immediately follows this.
This tale, cried Slawkenbergius, somewhat exultingly, has been reserved by
me for the concluding tale of my whole work; knowing right well, that when
I shall have told it, and my reader shall have read it thro'--'twould be
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Count of Monte Cristo by Alexandre Dumas: "Come, sir."
"Wait," said Monte Cristo, "I wish to take one final glance
around this room."
"This is fortunate," said the guide; "I have forgotten the
other key."
"Go and fetch it."
"I will leave you the torch, sir."
"No, take it away; I can see in the dark."
"Why, you are like No. 34. They said he was so accustomed to
darkness that he could see a pin in the darkest corner of
his dungeon."
 The Count of Monte Cristo |