Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

in the craft of the woods; and when he left his master he gave him a bow, and said, 'Whatever you shoot at with this bow you will be sure to hit.'

The youngest brother likewise met a man who asked him what he wished to do. 'Would not you like,' said he, 'to be a tailor?' 'Oh, no!' said the young man; 'sitting cross-legged from morning to night, working backwards and forwards with a needle and goose, will never suit me.' 'Oh!' answered the man, 'that is not my sort of tailoring; come with me, and you will learn quite another kind of craft from that.' Not knowing what better to do, he came into the plan, and learnt tailoring from the beginning; and when he left his master, he gave him a needle,

Grimm's Fairy Tales

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Three Musketeers by Alexandre Dumas:

and take D'Artagnan with him in order to introduce him. D'Artagnan appointed eight o'clock at Athos's residence.

This introduction to Milady Clarik occupied the head of our Gascon greatly. He remembered in what a strange manner this woman had hitherto been mixed up in his destiny. According to his conviction, she was some creature of the cardinal, and yet he felt himself invincibly drawn toward her by one of those sentiments for which we cannot account. His only fear was that Milady would recognize in him the man of Meung and of Dover. Then she knew that he was one of the friends of M. de Treville, and consequently, that he belonged body

The Three Musketeers

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Emerald City of Oz by L. Frank Baum:

"I know," said Dorothy, nodding. "I found him, and lifted him down from his pole."

"So now, after a long residence in the Emerald City, his tastes have turned to farm life again," continued the Tin Man. "He feels that he cannot be happy without a farm of his own, so Ozma gave him some land and every one helped him build his mansion, and now he is settled there for good."

"Who designed his house?" asked the Shaggy Man.

"I believe it was Jack Pumpkinhead, who is also a farmer," was the reply.

They were now invited to enter the tin dining room, where luncheon

The Emerald City of Oz

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of Darkness by Joseph Conrad:

on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. AVE! Old knitter of black wool. MORITURI TE SALUTANT.

Heart of Darkness