| The first excerpt represents the past or something you must release, and is drawn from Manon Lescaut by Abbe Prevost: exquisite grace of her form, the mild sweetness of expression
that animated her features, and her engaging air, made her seem
the very personification of love. The vision was something too
perfect for human beauty.
"I stood like one enchanted at beholding her. Unable to divine
the object of her visit, I waited trembling and with downcast
looks until she explained herself. At first, her embarrassment
was equal to mine; but, seeing that I was not disposed to break
silence, she raised her hand to her eyes to conceal a starting
tear, and then, in a timid tone, said that she well knew she had
justly earned my abhorrence by her infidelity; but that if I had
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Phaedrus by Plato: SOCRATES: And when men are deceived and their notions are at variance with
realities, it is clear that the error slips in through resemblances?
PHAEDRUS: Yes, that is the way.
SOCRATES: Then he who would be a master of the art must understand the
real nature of everything; or he will never know either how to make the
gradual departure from truth into the opposite of truth which is effected
by the help of resemblances, or how to avoid it?
PHAEDRUS: He will not.
SOCRATES: He then, who being ignorant of the truth aims at appearances,
will only attain an art of rhetoric which is ridiculous and is not an art
at all?
|
The third excerpt represents the future or something you must embrace, and is drawn from Critias by Plato: the praises and show forth the virtues of your ancient citizens.
CRITIAS: Friend Hermocrates, you, who are stationed last and have another
in front of you, have not lost heart as yet; the gravity of the situation
will soon be revealed to you; meanwhile I accept your exhortations and
encouragements. But besides the gods and goddesses whom you have
mentioned, I would specially invoke Mnemosyne; for all the important part
of my discourse is dependent on her favour, and if I can recollect and
recite enough of what was said by the priests and brought hither by Solon,
I doubt not that I shall satisfy the requirements of this theatre. And
now, making no more excuses, I will proceed.
Let me begin by observing first of all, that nine thousand was the sum of
|