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Today's Stichomancy for Shaquille O'Neal

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

penetrate the secret of that spell, and without that secret none can break it. The water will flow no more forever, good Father. I have done what man could. Suffer me to go."

Of course this threw the abbot into a good deal of a consternation. He turned to me with the signs of it in his face, and said:

"Ye have heard him. Is it true?"

"Part of it is."

"Not all, then, not all! What part is true?"

"That that spirit with the Russian name has put his


A Connecticut Yankee in King Arthur's Court
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

In the Metropolitan Museum Coney Island Union Square Central Park at Dusk Young Love Sonnets and Lyrics Primavera Mia Soul's Birth Love and Death For the Anniversary of John Keats' Death Silence

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Philebus by Plato:

knowledge and understanding and art, and the like. There was a dispute about which were the best, and we playfully threatened that you should not be allowed to go home until the question was settled; and you agreed, and placed yourself at our disposal. And now, as children say, what has been fairly given cannot be taken back; cease then to fight against us in this way.

SOCRATES: In what way?

PHILEBUS: Do not perplex us, and keep asking questions of us to which we have not as yet any sufficient answer to give; let us not imagine that a general puzzling of us all is to be the end of our discussion, but if we are unable to answer, do you answer, as you have promised. Consider, then,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Desert Gold by Zane Grey:

he chose the trail. From time to time Gale caught glimpses of Yaqui's dark figure stealing along the higher rim of the crater. He was making for a point above the bandit.

Moments--endless moments dragged by. The lowering sun colored only the upper half of the crater walls. Far down the depths were murky blue. Again Gale felt the insupportable silence. The red haze became a transparent veil before his eyes. Sinister, evil, brooding, waiting, seemed that yawning abyss. Ladd staggered along the trail, at times he crawled. The Yaqui gained; he might have had wings; he leaped from jagged crust to jagged crust; his sure-footedness was a wonderful thing.


Desert Gold