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Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the past or something you must release, and is drawn from The Adventures of Huckleberry Finn by Mark Twain:

I can think of. I went to thinking out a plan, but only just to be doing something; I knowed very well where the right plan was going to come from. Pretty soon Tom says:

"Ready?"

"Yes," I says.

"All right -- bring it out."

"My plan is this," I says. "We can easy find out if it's Jim in there. Then get up my canoe to-morrow night, and fetch my raft over from the island. Then the first dark night that comes steal the key out of the


The Adventures of Huckleberry Finn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Garden Party by Katherine Mansfield:

"Care for an ice?" said her partner. And they went through the swing doors, down the passage, to the supper room. Her cheeks burned, she was fearfully thirsty. How sweet the ices looked on little glass plates and how cold the frosted spoon was, iced too! And when they came back to the hall there was the fat man waiting for her by the door. It gave her quite a shock again to see how old he was; he ought to have been on the stage with the fathers and mothers. And when Leila compared him with her other partners he looked shabby. His waistcoat was creased, there was a button off his glove, his coat looked as if it was dusty with French chalk.

"Come along, little lady," said the fat man. He scarcely troubled to clasp her, and they moved away so gently, it was more like walking than dancing.

The third excerpt represents the future or something you must embrace, and is drawn from The Secret Places of the Heart by H. G. Wells:

"It didn't seem so at the time. I felt I had to got hold of something or go to pieces. I couldn't turn to religion. I had no religion. And Duty? What is Duty? I set myself to that. I had a kind of revelation one night. 'Either I find out what all this world is about, I said, or I perish.' I have lost myself and I must forget myself by getting hold of something bigger than myself. And becoming that. That's why I have been making a sort of historical pilgrimage. . . . That's my story, Sir Richmond. That's my education. . . . Somehow though your troubles are different, it seems to me that my little muddle makes me understand how it is with you. What