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Today's Stichomancy for Sidney Poitier

The first excerpt represents the past or something you must release, and is drawn from Scaramouche by Rafael Sabatini:

forty livres a month," the master informed him at the end of a week. "For the present, however, I will make up what else I consider due to you by imparting to you secrets of this noble art. Your future depends upon how you profit by your exceptional good fortune in receiving instruction from me."

Thereafter every morning before the opening of the academy, the master would fence for half an hour with his new assistant. Under this really excellent tuition Andre-Louis improved at a rate that both astounded and flattered M. des Amis. He would have been less flattered and more astounded had he known that at least half the secret of Andre-Louis' amazing progress lay in the fact that he was

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eryxias by Platonic Imitator:

prudent pilot or the skilful physician, or the artist of any kind who is proficient in his art, is more worth than the things which are especially reckoned among riches; and he who can advise well and prudently for himself and others is able also to sell the product of his art, if he so desire.

Eryxias looked askance, as if he had received some unfair treatment, and said, I believe, Socrates, that if you were forced to speak the truth, you would declare that you were richer than Callias the son of Hipponicus. And yet, although you claimed to be wiser about things of real importance, you would not any the more be richer than he.

I dare say, Eryxias, I said, that you may regard these arguments of ours as a kind of game; you think that they have no relation to facts, but are like

The third excerpt represents the future or something you must embrace, and is drawn from The Breaking Point by Mary Roberts Rinehart:

indeed!

So the weaving went on, almost completed now. With Wallie Sayre biding his time, but fairly sure of the result. With Jean Melis happening on a two-days' old paper, and reading over and over a notice addressed to him. With Leslie Ward, neither better nor worse than his kind, seeking adventure in a bypath, which was East 56th Street. And with Dick wandering the streets of New York after twilight, and standing once with his coat collar turned up against the rain outside of the Metropolitan Club, where the great painting of his father hung over a mantelpiece.

Now that he was near Beverly, Dick hesitated to see her. He felt


The Breaking Point