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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Meno by Plato:

principles of ethics to custom and probability. But crude and unmeaning as this philosophy is, it exercised a great influence on his successors, not unlike that which Locke exercised upon Berkeley and Berkeley upon Hume himself. All three were both sceptical and ideal in almost equal degrees. Neither they nor their predecessors had any true conception of language or of the history of philosophy. Hume's paradox has been forgotten by the world, and did not any more than the scepticism of the ancients require to be seriously refuted. Like some other philosophical paradoxes, it would have been better left to die out. It certainly could not be refuted by a philosophy such as Kant's, in which, no less than in the previously mentioned systems, the history of the human mind and the nature of language

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

more interesting will the animals generally be: but a greater depth than fifteen fathoms is not easily reached on this side of Plymouth; and, on the whole, the beginner will find enough in seven or eight fathoms to stock an aquarium rivalling any of those in the "Tank-house" at the Zoological Gardens.

In general, the south coast of England, to the eastward of Portland, affords bad dredging ground. The friable cliffs, of comparatively recent formations, keep the sea shallow, and the bottom smooth and bare, by the vast deposits of sand and gravel. Yet round the Isle of Wight, especially at the back of the Needles, there ought to be fertile spots; and Weymouth, according to Mr.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Exiles by Honore de Balzac:

hand uplifted, a sunbeam pierced through an open window, like a magic jet from a fount of splendor, a long triangular shaft of gold that lay like a scarf over the whole assembly. They all clapped their hands, for the audience accepted this effect of the sinking sun as a miracle. There was a universal cry of:

"/Vivant/! /Vivant/!"

The very sky seemed to shed approval. Godefroid, struck with reverence, looked from the old man to Doctor Sigier; they were talking together in an undertone.

"All honor to the Master!" said the stranger.

"What is such transient honor?" replied Sigier.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

education, and a good glimpse of civilised life. Unfortunately her teachers did not understand her nature, and the education ended in a scene of humiliation, in an outburst of contempt from white people for her mixed blood. She had tasted the whole bitterness of it and remembered distinctly that the virtuous Mrs. Vinck's indignation was not so much directed against the young man from the bank as against the innocent cause of that young man's infatuation. And there was also no doubt in her mind that the principal cause of Mrs. Vinck's indignation was the thought that such a thing should happen in a white nest, where her snow-white doves, the two Misses Vinck, had just returned from


Almayer's Folly