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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Second Inaugural Address by Abraham Lincoln:

but let us judge not, that we be not judged. The prayers of both could not be answered--that of neither has been answered fully.

The Almighty has his own purposes. "Woe unto the world because of offenses! for it must needs be that offenses come; but woe to that man by whom the offense cometh." If we shall suppose that American slavery is one of those offenses which, in the providence of God, must needs come, but which, having continued through his appointed time, he now wills to remove, and that he gives to both North and South this terrible war, as the woe due to those by whom the offense came, shall we discern therein any departure from those divine attributes which the believers in a


Second Inaugural Address
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Garden Party by Katherine Mansfield:

tussock grass. She clutched the post desperately and lifted up her voice. "Wait for me!"

"No, don't you wait for her, Kezia!" said Isabel. "She's such a little silly. She's always making a fuss. Come on!" And she tugged Kezia's jersey. "You can use my bucket if you come with me," she said kindly. "It's bigger than yours." But Kezia couldn't leave Lottie all by herself. She ran back to her. By this time Lottie was very red in the face and breathing heavily.

"Here, put your other foot over," said Kezia.

"Where?"

Lottie looked down at Kezia as if from a mountain height.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

a man from my clutches and I heard it scraping over the stone of my prison as they bore it away to their terrible feast.

And now in these black pits of the other Warhoons I looked into those same fiery eyes, blazing at me through the terrible darkness, revealing no sign of the beast behind them. I think that the most fearsome attribute of these awesome creatures is their silence and the fact that one never sees them--nothing but those baleful eyes glaring unblinkingly out of the dark void behind.

Grasping my long-sword tightly in my hand, I backed slowly along the corridor away from the thing that watched me,


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from An Ideal Husband by Oscar Wilde:

LORD GORING. You mustn't do that. It would be vile, horrible, infamous.

MRS. CHEVELEY. [Shrugging her shoulders.] Oh! don't use big words. They mean so little. It is a commercial transaction. That is all. There is no good mixing up sentimentality in it. I offered to sell Robert Chiltern a certain thing. If he won't pay me my price, he will have to pay the world a greater price. There is no more to be said. I must go. Good-bye. Won't you shake hands?

LORD GORING. With you? No. Your transaction with Robert Chiltern may pass as a loathsome commercial transaction of a loathsome commercial age; but you seem to have forgotten that you came here to-