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Today's Stichomancy for Sofia Vergara

The first excerpt represents the past or something you must release, and is drawn from The Scarlet Pimpernel by Baroness Emmuska Orczy:

Fortunately, the moon showed no desire to peep between the clouds, and Marguerite hugging the edge of the road, and keeping close to the low line of shrubs, was fairly safe from view. Everything around her was so still: only from far, very far away, there came like a long soft moan, the sound of the distant sea.

The air was keen and full of brine; after that enforced period of inactivity, inside the evil-smelling, squalid inn, Marguerite would have enjoyed the sweet scent of this autumnal night, and the distant melancholy rumble of the autumnal night, and the distant melancholy rumble of the waves; she would have revelled in the calm and stillness of this lonely spot, a calm, broken only at intervals by the strident


The Scarlet Pimpernel
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Commission in Lunacy by Honore de Balzac:

persons was as much moral as it was physical.

In the father and the children alike, their personality harmonized with the spirit within. M. d'Espard, at this time about fifty, might have sat as a model to represent the aristocracy of birth in the nineteenth century. He was slight and fair; there was in the outline and general expression of his face a native distinction which spoke of lofty sentiments, but it bore the impress of a deliberate coldness which commanded respect a little too decidedly. His aquiline nose bent at the tip from left to right, a slight crookedness which was not devoid of grace; his blue eyes, his high forehead, prominent enough at the brows to form a thick ridge that checked the light and shaded his

The third excerpt represents the future or something you must embrace, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

woman's scream beneath him.

Leaning over the side of the flier, he saw what appeared to be a red woman being dragged across the plaza by a huge green warrior--one of those fierce, cruel denizens of the dead sea-bottoms and deserted cities of dying Mars.

Carthoris waited to see no more. Reaching for the control board, he sent his craft racing plummet-like toward the ground.

The green man was hurrying his captive toward a huge thoat that browsed upon the ochre vegetation of the once scarlet-gorgeous plaza. At the same instant a


Thuvia, Maid of Mars