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Today's Stichomancy for Sofia Vergara

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato:

language--the cries of animals from the speech of man--the instincts of animals from the reason of man. (6) There is the danger which besets all enquiries into the early history of man--of interpreting the past by the present, and of substituting the definite and intelligible for the true but dim outline which is the horizon of human knowledge.

The greatest light is thrown upon the nature of language by analogy. We have the analogy of the cries of animals, of the songs of birds ('man, like the nightingale, is a singing bird, but is ever binding up thoughts with musical notes'), of music, of children learning to speak, of barbarous nations in which the linguistic instinct is still undecayed, of ourselves learning to think and speak a new language, of the deaf and dumb who have

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Agent by Joseph Conrad:

doomed in its cradle, born with the poison of the principle of competition in its system. The great capitalists devouring the little capitalists, concentrating the power and the tools of production in great masses, perfecting industrial processes, and in the madness of self-aggrandisement only preparing, organising, enriching, making ready the lawful inheritance of the suffering proletariat. Michaelis pronounced the great word "Patience" - and his clear blue glance, raised to the low ceiling of Mr Verloc's parlour, had a character of seraphic trustfulness. In the doorway Stevie, calmed, seemed sunk in hebetude.

Comrade Ossipon's face twitched with exasperation.


The Secret Agent
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

chairs reflected the rosy glow from the plethoric stove. I sank into the depths of a huge rocker that must have been built for Grosspapa Pflugel's generous curves. Alma Pflugel, in a chair opposite, politely waited for this new process of interviewing to begin, but relaxed in the embrace of that great armchair I suddenly realized that I was very tired and hungry, and talk-weary, and that here; was a great peace. The prima donna, with her French, and her paint, and her pearls, and the prizefighter with his slang, and his cauliflower ear, and his diamonds, seemed creatures of another planet. My

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Vision Splendid by William MacLeod Raine:

"Most of us have mixed motives."

"Not J. K. Reminds me of old Johnson's 'Patriotism is the last refuge of a scoundrel.'"

Jeff straightened. "That won't do, Sam. I believe in J. K. You've got nothing against him except that you don't like him."

"Forgot you were his cousin, Jeff," Miller grumbled. "But it's a fact that he works everybody to shove him along."

"He's only a kid. Give him time. He'll be a big help to any community."

"James K.'s biggest achievement will always be James K."

Jeff chuckled at the apothegm even while he protested. Sam capped