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Today's Stichomancy for Sophia Loren

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

six years, and if slaves are plentiful he is freed and permitted to return to his own people."

"You fight in platinum and diamonds?" asked Tara, indicating his gorgeous trappings with a quizzical smile.

Gahan laughed. "We are a vain people," he admitted, good-naturedly, "and it is possible that we place too much value on personal appearances. We vie with one another in the splendor of our accoutrements when trapped for the observance of the lighter duties of life, though when we take the field our leather is the plainest I ever have seen worn by fighting men of Barsoom. We pride ourselves, too, upon our physical beauty, and especially


The Chessmen of Mars
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Tanach:

Zephaniah 3: 18 I will gather them that are far from the appointed season, who are of thee, that hast borne the burden of reproach.

Zephaniah 3: 19 Behold, at that time I will deal with all them that afflict thee; and I will save her that is lame, and gather her that was driven away; and I will make them to be a praise and a name, whose shame hath been in all the earth.

Zephaniah 3: 20 At that time will I bring you in, and at that time will I gather you; for I will make you to be a name and a praise among all the peoples of the earth, when I turn your captivity before your eyes, saith the LORD.

Haggai 1: 1 IN THE second year of Darius the king, in the sixth month, in the first day of the month, came the word of the LORD by Haggai the prophet unto Zerubbabel the son of Shealtiel, governor of Judah, and to Joshua the son of Jehozadak, the high priest, saying:

Haggai 1: 2 'Thus speaketh the LORD of hosts, saying: This people say: The time is not come, the time that the LORD'S house should be built.'

Haggai 1: 3 Then came the word of the LORD by Haggai the prophet, saying:

Haggai 1: 4 'Is it a time for you yourselves to dwell in your cieled houses, while this house lieth waste?

Haggai 1: 5 Now therefore thus saith the LORD of hosts: Consider your ways.


The Tanach
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Brothers by Honore de Balzac:

the skin clung to the temples and the cheek-bones, and the forehead showed deep lines; her eyes lost their clearness; an inward fire was evidently consuming her; she wept the greater part of the night. A chief cause of these outward ravages was the necessity of hiding her anguish, her sufferings, her apprehensions. She never went to sleep until Philippe came in; she listened for his step, she had learned the inflections of his voice, the variations of his walk, the very language of his cane as it touched the pavement. Nothing escaped her. She knew the degree of drunkenness he had reached, she trembled as she heard him stumble on the stairs; one night she picked up some pieces of gold at the spot where he had fallen. When he had drunk and won,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of War by Sun Tzu:

the country--its mountains and forests, its pitfalls and precipices, its marshes and swamps. We shall be unable to turn natural advantages to account unless we make use of local guides.

[These three sentences are repeated from VII. SS. 12-14 -- in order to emphasize their importance, the commentators seem to think. I prefer to regard them as interpolated here in order to form an antecedent to the following words. With regard to local guides, Sun Tzu might have added that there is always the risk of going wrong, either through their treachery or some misunderstanding such as Livy records (XXII. 13): Hannibal, we are told, ordered a guide to lead him into the neighborhood of


The Art of War