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Today's Stichomancy for Sophia Loren

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Roads of Destiny by O. Henry:

rounders, sightseers and prowlers of polyglot, owlish San Antone mingled there at the centre of the city's fun and frolic. The popping of corks, pistols, and questions; the glitter of eyes, jewels and daggers; the ring of laughter and coin--these were the order of the night.

But now no longer. To some half-dozen tents, fires, and tables had dwindled the picturesque festival, and these had been relegated to an ancient disused plaza.

Often had Tansey strolled down to these stands at night to partake of the delectable /chili-con-carne/, a dish evolved by the genius of Mexico, composed of delicate meats minced with aromatic herbs and the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Helen of Troy And Other Poems by Sara Teasdale:

His kiss was not so wonderful As all the dreams I had.

November

The world is tired, the year is old, The little leaves are glad to die, The wind goes shivering with cold Among the rushes dry.

Our love is dying like the grass, And we who kissed grow coldly kind, Half glad to see our poor love pass Like leaves along the wind.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides and Other Poems by Oscar Wilde:

Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony, And for its answering brother waits in vain Sobbing for incompleted melody, Dies a swan's death; but I the heir of pain, A silent Memnon with blank lidless eyes, Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom, The little dust stored in the narrow urn, The gentle XAIPE of the Attic tomb, - Were not these better far than to return

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In a German Pension by Katherine Mansfield:

Langen, and watch, perhaps, your little child playing with--" She turned towards Karl, who had rooted an old illustrated paper out of the receptacle and was spelling over an advertisement for the enlargement of Beautiful Breasts.

The sentence remained unfinished. We decided to move on. As we plunged more deeply into the wood our spirits rose--reaching a point where they burst into song--on the part of the three men--"O Welt, wie bist du wunderbar!"--the lower part of which was piercingly sustained by Herr Langen, who attempted quite unsuccessfully to infuse satire into it in accordance with his--"world outlook". They strode ahead and left us to trail after them--hot and happy.