| The first excerpt represents the past or something you must release, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: He snarled like a wild animal.
"Well, what if we does? See?" said he.
Dark blood flushed into Pete's face, and he shot a lurid
glance at Jimmie.
"Well, den we'll see whose deh bes' man, you or me," he said.
The quiet stranger moved modestly toward the door.
Jimmie began to swell with valor.
"Don' pick me up fer no tenderfoot. When yeh tackles me yeh
tackles one of deh bes' men in deh city. See? I'm a scrapper,
I am. Ain't dat right, Billie?"
"Sure, Mike," responded his companion in tones of conviction.
 Maggie: A Girl of the Streets |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ferragus by Honore de Balzac: divided like a chessboard by iron railings and elegant compartments,
in which were tombs decorated with palms, inscriptions, and tears as
cold as the stones on which sorrowing hearts had caused to be carved
their regrets and coats of arms. Many good words are there engraved in
black letters, epigrams reproving the curious, /concetti/, wittily
turned farewells, rendezvous given at which only one side appears,
pretentious biographies, glitter, rubbish and tinsel. Here the
floriated thyrsus, there a lance-head, farther on Egyptian urns, now
and then a few cannon; on all sides the emblems of professions, and
every style of art,--Moorish, Greek, Gothic,--friezes, ovules,
paintings, vases, guardian-angels, temples, together with innumerable
 Ferragus |
The third excerpt represents the future or something you must embrace, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: just outside, and spending their strength there, left a lower
level within the cove. Yet sometimes a series of great billows
would come straight on, heading directly for the entrance, and
then the surface of the water within was seen to swell suddenly
upward as if by a terrible inward magic of its own; it rose and
rose, as if it would ingulf everything; then as rapidly sank,
and again presented a mere quiet vestibule before the excluded
waves.
They saw in glimpses, as the lightning flashed, the shingly
beach, covered with a mass of creamy foam, all tremulous and
fluctuating in the wind; and this foam was constantly torn away
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