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Today's Stichomancy for Spike Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Westward Ho! by Charles Kingsley:

at Burrough Court, but of those quick bright flashes on sand-hill and on fort, where Salvation Yeo was hurling the eighteen-pound shot with deadly aim, and watching with a cool and bitter smile of triumph the flying of the sand, and the crashing of the gabions. Amyas and his party had been on board, at the risk of their lives, for a fresh supply of shot; for Winter's battery was out of ball, and had been firing stones for the last four hours, in default of better missiles. They ran the boat on shore through the surf, where a cove in the shore made landing possible, and almost careless whether she stove or not, scrambled over the sand-hills with each man his brace of shot slung across his shoulder; and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Collection of Beatrix Potter by Beatrix Potter:

she made a nest without any trouble at all.

WHEN she came out, the sandy whiskered gentleman was sitting on a log reading the newspaper--at least he had it spread out, but he was looking over the top of it.

He was so polite, that he seemed almost sorry to let

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Far From the Madding Crowd by Thomas Hardy:

Thompson's Wonderfuls with a dibble." "Yes -- I see. Are they satisfactory women?" she inquired softly of Henery Fray. "O mem -- don't ask me! Yielding women?" as scarlet a pair as ever was!" groaned Henery under his breath. "Sit down. "Who, mem?" "Sit down," Joseph Poorgrass, in the background twitched, and his lips became dry with fear of some terrible conse-


Far From the Madding Crowd
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chance by Joseph Conrad:

He became aware of grey hairs curling over the nape of the neck. How could he have made that mistake? But on board ship away from the land one does not expect to come upon a stranger.

Powell walked past the man. A thin, somewhat sunken face, with a tightly closed mouth, stared at the distant French coast, vague like a suggestion of solid darkness, lying abeam beyond the evening light reflected from the level waters, themselves growing more sombre than the sky; a stare, across which Powell had to pass and did pass with a quick side glance, noting its immovable stillness. His passage disturbed those eyes no more than if he had been as immaterial as a ghost. And this failure of his person in producing an impression


Chance