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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac:

understand,--she wished to give him, in a kiss, her last breath. He took it, and she died. Jules fell half-dead himself and was taken to his brother's house. There, as he deplored in tears his absence of the day before, his brother told him that this separation was eagerly desired by Clemence, who wished to spare him the sight of the religious paraphernalia, so terrible to tender imaginations, which the Church displays when conferring the last sacraments upon the dying.

"You could not have borne it," said his brother. "I could hardly bear the sight myself, and all the servants wept. Clemence was like a saint. She gathered strength to bid us all good-bye, and that voice, heard for the last time, rent our hearts. When she asked pardon for


Ferragus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Iliad by Homer:

cower as hounds before a lion; it is we, your allies, who bear the brunt of the battle. I have come from afar, even from Lycia and the banks of the river Xanthus, where I have left my wife, my infant son, and much wealth to tempt whoever is needy; nevertheless, I head my Lycian soldiers and stand my ground against any who would fight me though I have nothing here for the Achaeans to plunder, while you look on, without even bidding your men stand firm in defence of their wives. See that you fall not into the hands of your foes as men caught in the meshes of a net, and they sack your fair city forthwith. Keep this before your mind night and day, and beseech the captains of your allies to


The Iliad
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

which way to lean to the sun. "We are all too old to move," she said.

That afternoon it cleared. Wet and radiant the blue reappeared through torn rags of cloud; the ailanthus sparkled; the earth in the flower-borders looked rich and warm. It was Thursday, and on Monday the building of the extension was to begin.

On Sunday afternoon a card was brought to Mrs. Black, as she was engaged in gathering up the fragments of the boarders' dinner in the basement. The card, black-edged, bore Mrs. Manstey's name.

"One of Mrs. Sampson's boarders; wants to move, I suppose. Well, I can give her a room next year in the extension. Dinah," said

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flower Fables by Louisa May Alcott:

of the vine, and brought such joy to Thistle, that his lonely cell seemed pleasanter to him than all the world beside; and he grew daily more like his gentle friend. But it did not last long, for one day she did not come. He watched and waited long, for the little face that used to peep smiling in through the vine-leaves. He called and beckoned through the narrow opening, but no Lily-Bell answered; and he wept sadly as he thought of all she had done for him, and that now he could not go to seek and help her, for he had lost his freedom by his own cruel and wicked deeds.

At last he besought the silent Brownie earnestly to tell him whither she had gone.


Flower Fables