| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lay Morals by Robert Louis Stevenson: judgment after a single hearing. And this is more
particularly true of last week's MACBETH; for the whole third
act was marred by a grievously humorous misadventure.
Several minutes too soon the ghost of Banquo joined the
party, and after having sat helpless a while at a table, was
ignominiously withdrawn. Twice was this ghostly Jack-in-the-
box obtruded on the stage before his time; twice removed
again; and yet he showed so little hurry when he was really
wanted, that, after an awkward pause, Macbeth had to begin
his apostrophe to empty air. The arrival of the belated
spectre in the middle, with a jerk that made him nod all
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Collected Articles by Frederick Douglass: this question is now closed for all time.
Without attempting to settle here the metaphysical and somewhat
theological question (about which so much has already been said and written),
whether once in the Union means always in the Union,--agreeably to the formula,
Once in grace always in grace,-- it is obvious to common sense that the
rebellious States stand to- day, in point of law, precisely where
they stood when, exhausted, beaten, conquered, they fell powerless
at the feet of Federal authority. Their State governments were overthrown,
and the lives and property of the leaders of the Rebellion were forfeited.
In reconstructing the institutions of these shattered and overthrown States,
Congress should begin with a clean slate, and make clean work of it.
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lesser Hippias by Plato: defeated at every point by Socrates, and is with difficulty induced to
proceed (compare Thrasymachus, Protagoras, Callicles, and others, to whom
the same reluctance is ascribed).
Hippias like Protagoras has common sense on his side, when he argues,
citing passages of the Iliad in support of his view, that Homer intended
Achilles to be the bravest, Odysseus the wisest of the Greeks. But he is
easily overthrown by the superior dialectics of Socrates, who pretends to
show that Achilles is not true to his word, and that no similar
inconsistency is to be found in Odysseus. Hippias replies that Achilles
unintentionally, but Odysseus intentionally, speaks falsehood. But is it
better to do wrong intentionally or unintentionally? Socrates, relying on
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Susan by Jane Austen: energy, "I must warn you of one thing--do not let Frederica Vernon be made
unhappy by that Martin. He wants to marry her; her mother promotes the
match, but she cannot endure the idea of it. Be assured that I speak from
the fullest conviction of the truth of what I say; I Know that Frederica is
made wretched by Sir James's continuing here. She is a sweet girl, and
deserves a better fate. Send him away immediately; he is only a fool: but
what her mother can mean, Heaven only knows! Good bye," he added, shaking
my hand with earnestness; "I do not know when you will see me again; but
remember what I tell you of Frederica; you MUST make it your business to
see justice done her. She is an amiable girl, and has a very superior mind
to what we have given her credit for." He then left me, and ran upstairs. I
 Lady Susan |