Today's Stichomancy for Stephen Colbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

of blue, and now one and now a multitude would heel and catch the sun and become short flashes of light. They came, rising and falling and growing larger, like some huge flight of gulls or rooks or such-like birds, moving with a marvellous uniformity, and ever as they drew nearer they spread over a greater width of sky. The southward wind flung itself in an arrow-headed cloud athwart the sun. And then suddenly they swept round to the eastward and streamed eastward, growing smaller and smaller and clearer and clearer again until they vanished from the sky. And after that we noted to the northward and very high Evesham's fighting machines hanging high over Naples like an evening swarm of gnats.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sesame and Lilies by John Ruskin:

might be reconciled to the conditions. Meantime, here are the facts: we make our relief either so insulting to them, or so painful, that they rather die than take it at our hands; or, for third alternative, we leave them so untaught and foolish that they starve like brute creatures, wild and dumb, not knowing what to do, or what to ask. I say, you despise compassion; if you did not, such a newspaper paragraph would be as impossible in a Christian country as a deliberate assassination permitted in its public streets. {21} "Christian," did I say? Alas! if we were but wholesomely UN- Christian, it would be impossible: it is our imaginary Christianity that helps us to commit these crimes, for we revel and luxuriate in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 1984 by George Orwell:

rowdy proles roamed the streets, the town had a curiously febrile air. The rocket bombs crashed oftener than ever, and sometimes in the far distance there were enormous explosions which no one could explain and about which there were wild rumours.

The new tune which was to be the theme-song of Hate Week (the Hate Song, it was called) had already been composed and was being endlessly plugged on the telescreens. It had a savage, barking rhythm which could not exactly be called music, but resembled the beating of a drum. Roared out by hundreds of voices to the tramp of marching feet, it was terrifying. The proles had taken a fancy to it, and in the midnight streets it competed with the still-popular 'It was only a hopeless fancy'. The Parsons children

1984

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Prince of Bohemia by Honore de Balzac:

life, and regard themselves as beasts of burden. Nothing so provokes a man with a heart as this strategy. Women can only use it with those who worship them.

"She turned to me. 'Do you suppose,' she said scornfully, 'that a Count would have uttered such an insult even if the thought had entered his mind? For my misfortune I have lived with dukes, ambassadors, and great lords, and I know their ways. How intolerable it makes bourgeois life! After all, a playwright is not a Rastignac nor a Rhetore----'

"Du Bruel looked ghastly at this. Two days afterwards we met in the /foyer/ at the Opera, and took a few turns together. The conversation