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Today's Stichomancy for Stephen Colbert

The first excerpt represents the past or something you must release, and is drawn from The Passionate Pilgrim by William Shakespeare:

Pluck'd in the bud, and vaded in the spring! Bright orient pearl, alack, too timely shaded! Fair creature, kill'd too soon by death's sharp sting! Like a green plum that hangs upon a tree, And falls, through wind, before the fall should he.

I weep for thee, and yet no cause I have; For why thou left'st me nothing in thy will: And yet thou left'st me more than I did crave; For why I craved nothing of thee still: O yes, dear friend, I pardon crave of thee, Thy discontent thou didst bequeath to me.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

voices, its noises, and above all its mystery. Nothing is more impressive, nothing more disquieting, more terrifying occasionally, than a fen. Why should a vague terror hang over these low plains covered with water? Is it the low rustling of the rushes, the strange will-o'-the-wisp lights, the silence which prevails on calm nights, the still mists which hang over the surface like a shroud; or is it the almost inaudible splashing, so slight and so gentle, yet sometimes more terrifying than the cannons of men or the thunders of the skies, which make these marshes resemble countries one has dreamed of, terrible countries holding an unknown and dangerous secret?

The third excerpt represents the future or something you must embrace, and is drawn from The Last War: A World Set Free by H. G. Wells:

Card of any indigent-looking person, and if the record failed to show he was in employment, dismiss him to the traffic pavement below.

But there was still enough of his former gentility about Barnet's appearance and bearing to protect him from this; the police, too, had other things to think of that night, and he was permitted to reach the galleries about Leicester Square--that great focus of London life and pleasure.

He gives a vivid description of the scene that evening. In the centre was a garden raised on arches lit by festoons of lights and connected with the Rows by eight graceful bridges, beneath


The Last War: A World Set Free