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Today's Stichomancy for Steve Jobs

The first excerpt represents the past or something you must release, and is drawn from Emma McChesney & Co. by Edna Ferber:

red-cheeked woman who entered, smoothing her coarse brown hair with work-roughened fingers.

Emma took one of those calloused hands in hers.

"Sophy, we need your advice. This is Mrs. Sophy Kumpf--Mrs. Orton-Wells, Miss Susan H. Croft"--Sophy threw her a keen glance; she knew that name--"and Miss Orton-Wells." Of the four, Sophy was the most at ease.

"Pleased to meet you," said Sophy Kumpf.

The three bowed, but did not commit themselves. Emma, her hand still on Sophy's, elaborated:

"Sophy Kumpf has been with the T. A. Buck Company for thirty


Emma McChesney & Co.
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Apology by Plato:

facing death--if now, when, as I conceive and imagine, God orders me to fulfil the philosopher's mission of searching into myself and other men, I were to desert my post through fear of death, or any other fear; that would indeed be strange, and I might justly be arraigned in court for denying the existence of the gods, if I disobeyed the oracle because I was afraid of death, fancying that I was wise when I was not wise. For the fear of death is indeed the pretence of wisdom, and not real wisdom, being a pretence of knowing the unknown; and no one knows whether death, which men in their fear apprehend to be the greatest evil, may not be the greatest good. Is not this ignorance of a disgraceful sort, the ignorance which is the conceit that a man knows what he does not know? And in this respect only I

The third excerpt represents the future or something you must embrace, and is drawn from A Tramp Abroad by Mark Twain:

but then the Margravine was herself a trifle indelicate.

It is in every way a wildly and picturesquely decorated house, and brimful of interest as a reflection of the character and tastes of that rude bygone time.

In the grounds, a few rods from the palace, stands the Margravine's chapel, just as she left it--a coarse wooden structure, wholly barren of ornament. It is said that the Margravine would give herself up to debauchery and exceedingly fast living for several months at a time, and then retire to this miserable wooden den and spend a few months in repenting and getting ready for another