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Today's Stichomancy for Steve Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Riders of the Purple Sage by Zane Grey:

"Then by Heaven! we'll have it over and done with!...Bess--did Oldring love you?"

"Certainly he did."

"Did--did you love him?"

"Of course. I told you so."

"How can you tell it so lightly?" cried Venters, passionately. "Haven't you any sense of--of--" He choked back speech. He felt the rush of pain and passion. He seized her in rude, strong hands and drew her close. He looked straight into her dark-blue eyes. They were shadowing with the old wistful light, hut they were as clear as the limpid water of the spring. They were earnest,


Riders of the Purple Sage
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wrecker by Stevenson & Osbourne:

round of the night began again, the loitering women, the lurking men, the sudden outburst of screams, the sound of flying feet. "You mayn't believe it," says Carthew, "but I got to that pitch that I didn't care a hang. I have been wakened out of my sleep to hear a woman screaming, and I have only turned upon my other side. Yes, it's a queer place, where the dowagers and the kids walk all day, and at night you can hear people bawling for help as if it was the Forest of Bondy, with the lights of a great town all round, and parties spinning through in cabs from Government House and dinner with my lord!"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In a German Pension by Katherine Mansfield:

ticked to the watch. He sprang out of bed and went over to the window. The venetian blind was broken, hung fan-shaped over the upper pane..."That blind must be mended. I'll get the office boy to drop in and fix it on his way home to-morrow--he's a good hand at blinds. Give him twopence and he'll do it as well as a carpenter...Anna could do it herself if she was all right. So would I, for the matter of that, but I don't like to trust myself on rickety step-ladders." He looked up at the sky: it shone, strangely white, unflecked with cloud; he looked down at the row of garden strips and backyards. The fence of these gardens was built along the edge of a gully, spanned by an iron suspension bridge, and the people had a wretched habit of throwing their empty tins over the fence into the gully.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Travels with a Donkey in the Cevenne by Robert Louis Stevenson:

suds disappeared as if by magic in the swift current, and the white boulders gave one a model for cleanliness. To wash in one of God's rivers in the open air seems to me a sort of cheerful solemnity or semi-pagan act of worship. To dabble among dishes in a bedroom may perhaps make clean the body; but the imagination takes no share in such a cleansing. I went on with a light and peaceful heart, and sang psalms to the spiritual ear as I advanced.

Suddenly up came an old woman, who point-blank demanded alms.

'Good,' thought I; 'here comes the waiter with the bill.'

And I paid for my night's lodging on the spot. Take it how you please, but this was the first and the last beggar that I met with