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Today's Stichomancy for Steve Martin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

Station, passed (not without alarm) into the bright lights of the approach, redeemed his portmanteau from the cloak-room, and was soon whirling in a cab along the Glasgow Road. The change of movement and position, the sight of the lamps twinkling to the rear, and the smell of damp and mould and rotten straw which clung about the vehicle, wrought in him strange alternations of lucidity and mortal giddiness.

'I have been drinking,' he discovered; 'I must go straight to bed, and sleep.' And he thanked Heaven for the drowsiness that came upon his mind in waves.

From one of these spells he was wakened by the stoppage of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On Horsemanship by Xenophon:

sharp spikes, so that when the horse seizes it and dislikes the roughness he will drop it; then when the smooth is given him instead, he is delighted with its smoothness, and whatever he has learnt before upon the rough, he will perform with greater relish on the smooth. He may certainly, out of contempt for its very smoothness, perpetually try to get a purchase on it, and that is why we attach large discs to the smooth bit, the effect of which is to make him open his mouth, and drop the mouthpiece. It is possible to make the rough bit of every degree of roughness by keeping it slack or taut.

[4] See Morgan, op. cit. p. 144 foll.

But, whatever the type of bit may be, let it in any case be flexible.


On Horsemanship
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

set him down to his books. Four times did he bury his primer in the earth; and four times, after giving him a sound thrashing, did they buy him a new one. But he would no doubt have repeated this feat for the fifth time, had not his father given him a solemn assurance that he would keep him at monastic work for twenty years, and sworn in advance that he should never behold Zaporozhe all his life long, unless he learned all the sciences taught in the academy. It was odd that the man who said this was that very Taras Bulba who condemned all learning, and counselled his children, as we have seen, not to trouble themselves at all about it. From that moment, Ostap began to pore over his tiresome books with exemplary diligence, and quickly stood on a


Taras Bulba and Other Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

argument, all things that were divided and dispersed should be brought together, and have the mark or seal of some one nature, if possible, set upon them--do you remember?

PROTARCHUS: Yes.

SOCRATES: And all things which do not admit of more or less, but admit their opposites, that is to say, first of all, equality, and the equal, or again, the double, or any other ratio of number and measure--all these may, I think, be rightly reckoned by us in the class of the limited or finite; what do you say?

PROTARCHUS: Excellent, Socrates.

SOCRATES: And now what nature shall we ascribe to the third or compound