| The first excerpt represents the past or something you must release, and is drawn from Tales and Fantasies by Robert Louis Stevenson: seat and came forward, holding out his hand.
'Good-morning, father,' said he.
Of the contention of feeling that ran high in Mr. Nicholson's
starched bosom, no outward sign was visible; nor did he delay
long to make a choice of conduct. Yet in that interval he
had reviewed a great field of possibilities both past and
future; whether it was possible he had not been perfectly
wise in his treatment of John; whether it was possible that
John was innocent; whether, if he turned John out a second
time, as his outraged authority suggested, it was possible to
avoid a scandal; and whether, if he went to that extremity,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from End of the Tether by Joseph Conrad: voice.
"He calls himself a white man," answered the Master-
Attendant scornfully; "but if so, it's just skin-deep
and no more. I told him that to his face too."
"But who is he, then?"
"He's the chief engineer of her. See THAT, Harry?"
"I see," Captain Whalley said thoughtfully. "The
engineer. I see."
How the fellow came to be a shipowner at the same
time was quite a tale. He came out third in a home
ship nearly fifteen years ago, Captain Eliott remem-
 End of the Tether |
The third excerpt represents the future or something you must embrace, and is drawn from Sylvie and Bruno by Lewis Carroll: liberty to put in--" he dropped his voice to a whisper, "to put in
'Uggug,' you know!"
"Uggug, indeed!" I exclaimed, in a burst of indignation I could no
longer control. To bring out even that one word seemed a gigantic
effort: but, the cry once uttered, all effort ceased at once: a sudden
gust swept away the whole scene, and I found myself sitting up, staring
at the young lady in the opposite corner of the carriage, who had now
thrown back her veil, and was looking at me with an expression of
amused surprise.
CHAPTER 5.
A BEGGAR'S PALACE.
 Sylvie and Bruno |