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Today's Stichomancy for Steven Spielberg

The first excerpt represents the past or something you must release, and is drawn from Twelve Stories and a Dream by H. G. Wells:

person produced. But he did not become intoxicated, he insists.

He was simply eloquent beyond his sober wont, and with the finer edge gone from his judgment. And after that long talk of the brave old days that were past forever, he went out into moonlit Hithergate-- alone and up the cliff road where the villas cluster together.

He had bewailed, and now as he walked up the silent road he still bewailed, the fate that had called him to such an uneventful life as a pedagogue's. What a prosaic existence he led, so stagnant, so colourless! Secure, methodical, year in year out, what call was there for bravery? He thought enviously of those roving, mediaeval days, so near and so remote, of quests and spies and condottieri

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

that the Prince regretted the necessity of sleep, and longed till the morning should renew his pleasure.

As they were sitting together, the Prince commanded Imlac to relate his history, and to tell by what accident he was forced, or by what motive induced, to close his life in the Happy Valley. As he was going to begin his narrative, Rasselas was called to a concert, and obliged to restrain his curiosity till the evening.

CHAPTER VIII - THE HISTORY OF IMLAC.

THE close of the day is, in the regions of the torrid zone, the only season of diversion and entertainment, and it was therefore midnight before the music ceased and the princesses retired.

The third excerpt represents the future or something you must embrace, and is drawn from Where There's A Will by Mary Roberts Rinehart:

knew that THAT was full, including the stables, with people from the stalled trains," he asserted furiously.

Two by two they went in and through the hall, stamping the snow off, and up to their old rooms again, leaving Slocum, the clerk, staring at them as if he couldn't believe his eyes.

Mr. Pierce and I watched from the piazza, through the glass.

We saw Doctor Barnes stop and look, and then go and hang over the news stand and laugh himself almost purple, and we saw Mr. Thoburn bringing up the tail of the procession and trying to look unconcerned. I am not a revengeful woman, but that was one of the happiest moments of my life.