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Today's Stichomancy for Terry Gilliam

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran:

noble provision!

O ye who believe! enter not into houses which are not your own houses, until ye have asked leave and saluted the people thereof, that is better for you; haply ye may be mindful. And if ye find no one therein, then do not enter them until permission is given you, and if it be said to you, 'Go back!' then go back, it is purer for you; for God of what ye do doth know. It is no crime against you that ye enter uninhabited houses,-a convenience for you;-and God knows what ye show and what ye hide.

Say to the believers that they cast down their looks and guard their private parts; that is purer for them; verily, God is well aware of


The Koran
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Moon-Face and Other Stories by Jack London:

Ville's direction after that.

"Several months passed by. Nothing had happened and I was beginning to think it all a scare over nothing. We were West by that time, showing in 'Frisco. It was during the afternoon performance, and the big tent was filled with women and children, when I went looking for Red Denny, the head canvas-man, who had walked off with my pocket-knife.

"Passing by one of the dressing tents I glanced in through a hole in the canvas to see if I could locate him. He wasn't there, but directly in front of me was King Wallace, in tights, waiting for his turn to go on with his cage of performing lions. He was watching with much amusement a quarrel between a couple of trapeze artists. All the rest of the people in the dressing tent

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moby Dick by Herman Melville:

our deck. For neither had I then read the Rhyme, nor knew the bird to be an albatross. Yet, in saying this, I do but indirectly burnish a little brighter the noble merit of the poem and the poet.

I assert, then, that in the wondrous bodily whiteness of the bird chiefly lurks the secret of the spell; a truth the more evinced in this, that by a solecism of terms there are birds called grey albatrosses; and these I have frequently seen, but never with such emotions as when I beheld the Antarctic fowl.

But how had the mystic thing been caught? Whisper it not, and I will tell; with a treacherous hook and line, as the fowl floated on the sea. At last the Captain made a postman of it; tying a lettered,


Moby Dick
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac:

"Did you mark how he called him to him?" cried the sergeant of the watch when the footsteps of the couple were no longer audible on the strand. "Are not they a demon and his familiar?"

"Phooh!" puffed Jacqueline. "I felt smothered! I never marked our two lodgers so carefully. 'Tis a bad thing for us women that the Devil can wear so fair a mien!"

"Ay, cast some holy water on him," said Tirechair, "and you will see him turn into a toad.--I am off to tell the office all about them."

On hearing this speech, the lady roused herself from the reverie into which she had sunk, and looked at the constable, who was donning his red-and-blue jacket.