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Today's Stichomancy for Terry Gilliam

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

up over the sea-bluffs, around the bastions of Tamalpais, and down to Sausalito. From the head of Bolinas Bay to Willow Camp the drive on the edge of the beach, and actually, for half-mile stretches, in the waters of the bay itself, was a delightful experience. The wonderful part was to come. Very few San Franciscans, much less Californians, know of that drive from Willow Camp, to the south and east, along the poppy-blown cliffs, with the sea thundering in the sheer depths hundreds of feet below and the Golden Gate opening up ahead, disclosing smoky San Francisco on her many hills. Far off, blurred on the breast of the sea, can be seen the Farallones, which Sir Francis Drake

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Ob. Giue me that boy, and I will goe with thee

Qu. Not for thy Fairy Kingdome. Fairies away: We shall chide downe right, if I longer stay.

Exeunt

Ob. Wel, go thy way: thou shalt not from this groue, Till I torment thee for this iniury. My gentle Pucke come hither; thou remembrest Since once I sat vpon a promontory, And heard a Meare-maide on a Dolphins backe, Vttering such dulcet and harmonious breath, That the rude sea grew ciuill at her song,


A Midsummer Night's Dream
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Call of the Canyon by Zane Grey:

talked to her aunt a while, then went to bed.

Next day Carley motored through Central Park, and out of town into Westchester County, finding some relief from the seemed to look at the dusty trees and the worn greens without really seeing them. In the afternoon she called on friends, and had dinner at home with her aunt, and then went to a theatre. The musical comedy was good, but the almost unbearable heat and the vitiated air spoiled her enjoyment. That night upon arriving home at midnight she stepped out of the taxi, and involuntarily, without thought, looked up to see the stars. But there were no stars. A murky yellow-tinged blackness hung low over the city. Carley recollected that stars, and sunrises and sunsets, and untainted air, and silence were


The Call of the Canyon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alexandria and her Schools by Charles Kingsley:

realist schools of Alexandria, on account of their knowledge of the modern realist schools of Germany. For I cannot but see, that a revulsion is taking place in the thoughts of our nation upon metaphysic subjects, and that Scotland, as usual, is taking the lead therein. That most illustrious Scotchman, Mr. Thomas Carlyle, first vindicated the great German Realists from the vulgar misconceptions about them which were so common at the beginning of this century, and brought the minds of studious men to a more just appreciation of the philosophic severity, the moral grandeur, of such thinkers as Emmanuel Kant, and Gottlieb Fichte. To another Scotch gentleman, who, I believe, has honoured me by his presence here to-night, we owe most valuable translations of some of