Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Complete Angler by Izaak Walton:

mere, nor a Guiniad in the river. And now my next observation shall be of the Barbel.

The fourth day-continued

Of the Barbel

Chapter XIV

Piscator, Venator, Milk-woman

Piscator. The Barbel is so called, says Gesner, by reason of his barb or wattles at his mouth, which are under his nose or chaps. He is one of those leather-mouthed fishes that I told you of, that does very seldom break his hold if he be once hooked: but he is so strong, that he will often break both rod and line, if he proves to be a big one.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

down at the piano after he was gone, she felt that she had laughed away a dozen years. She practised as if the house were burning over her head.

When Nils greeted his mother and climbed into the front seat of the motor beside her, Mrs. Ericson looked grim, but she made no comment upon his truancy until she had turned her car and was retracing her revolutions along the road that ran by Olaf's big pasture. Then she remarked dryly:

"If I were you I wouldn't see too much of Olaf's wife while you are here. She's the kind of woman who can't see much of men without getting herself talked about. She was a good deal talked

The Troll Garden and Selected Stories

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ion by Plato:

light' of intelligence which mingles with them and becomes discoloured by them. Imagination is often at war with reason and fact. The concentration of the mind on a single object, or on a single aspect of human nature, overpowers the orderly perception of the whole. Yet the feelings too bring truths home to the minds of many who in the way of reason would be incapable of understanding them. Reflections of this kind may have been passing before Plato's mind when he describes the poet as inspired, or when, as in the Apology, he speaks of poets as the worst critics of their own writings--anybody taken at random from the crowd is a better interpreter of them than they are of themselves. They are sacred persons, 'winged and holy things' who have a touch of madness in their composition

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Parmenides by Plato:

Very true.

And on the same principle, in the passage from one to many and from many to one, the one is neither one nor many, neither separated nor aggregated; and in the passage from like to unlike, and from unlike to like, it is neither like nor unlike, neither in a state of assimilation nor of dissimilation; and in the passage from small to great and equal and back again, it will be neither small nor great, nor equal, nor in a state of increase, or diminution, or equalization.

True.

All these, then, are the affections of the one, if the one has being.

Of course.