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Today's Stichomancy for Theodore Roosevelt

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twenty Years After by Alexandre Dumas:

lord of Pierrefonds and went in search of Athos.

"My dear Athos," he said, "I am going away. I have only one thing to say to you. You know Anne of Austria; the captivity of Mazarin alone guarantees my life; if you let him go I am a dead man."

"I needed nothing less than that consideration, my dear D'Artagnan, to persuade myself to adopt the role of jailer. I give you my word that you will find the cardinal where you leave him."

"This reassures me more than all the royal signatures," thought D'Artagnan. "Now that I have the word of Athos I can


Twenty Years After
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An International Episode by Henry James:

Lord Lambeth looked at him with a cold eye and for a moment said nothing. "It's not so obvious as you might suppose," he rejoined dryly, "considering what a demonstrative beggar I am."

"I don't want to know anything about it--nothing whatever," said Beaumont. "Your mother asks me everytime she sees me whether I believe you are really lost--and Lady Pimlico does the same. I prefer to be able to answer that I know nothing about it-- that I never go there. I stay away for consistency's sake. As I said the other day, they must look after you themselves."

"You are devilish considerate," said Lord Lambeth. "They never question me."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the South Seas by Robert Louis Stevenson:

streets of Inverness, conscious of barbaric virtues.

In the afternoon the summer parlour was observed to be packed with people; others standing outside and stooping to peer under the eaves, like children at home about a circus. It was the Makin company, rehearsing for the day of competition. Karaiti sat in the front row close to the singers, where we were summoned (I suppose in honour of Queen Victoria) to join him. A strong breathless heat reigned under the iron roof, and the air was heavy with the scent of wreaths. The singers, with fine mats about their loins, cocoa- nut feathers set in rings upon their fingers, and their heads crowned with yellow leaves, sat on the floor by companies. A

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Goriot by Honore de Balzac:

with me. I protest! The country will go to ruin if a father's rights are trampled under foot. That is easy to see. The whole world turns on fatherly love; fatherly love is the foundation of society; it will crumble into ruin when children do not love their fathers. Oh! if I could only see them, and hear them, no matter what they said; if I could simply hear their voices, it would soothe the pain. Delphine! Delphine most of all. But tell them when they come not to look so coldly at me as they do. Oh! my friend, my good Monsieur Eugene, you do not know that it is when all the golden light in a glance suddenly turns to a leaden gray. It has been one long winter here since the light in their


Father Goriot