| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Woman of No Importance by Oscar Wilde: for the thing we women love - and oh! how I loved YOU. Not Hannah,
Samuel more. And you needed love, for you were weakly, and only
love could have kept you alive. Only love can keep any one alive.
And boys are careless often and without thinking give pain, and we
always fancy that when they come to man's estate and know us better
they will repay us. But it is not so. The world draws them from
our side, and they make friends with whom they are happier than
they are with us, and have amusements from which we are barred, and
interests that are not ours: and they are unjust to us often, for
when they find life bitter they blame us for it, and when they find
it sweet we do not taste its sweetness with them . . . You made
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Hiero by Xenophon: pleasures are derived conjointly through both soul and body.[10] There
are some pleasures, further, if I may trust my own sensations, which
are conveyed in sleep, though how and by what means and when
precisely, are matters as to which I am still more conscious of my
ignorance. Nor is it to be wondered at perhaps, if the perceptions of
waking life in some way strike more clearly on our senses than do
those of sleep.[11]
[7] Or, "if I may trust my powers of observation I would say that
common men are capable of pains and pleasures conveyed through
certain avenues of sense, as sight through our eyes, sounds
through our ears, smells through our noses, and meats and drinks
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Battle of the Books by Jonathan Swift: and in the air took off the point, and clapped on one of lead,
which, after a dead bang against the enemy's shield, fell blunted
to the ground. Then Boyle, observing well his time, took up a
lance of wondrous length and sharpness; and, as this pair of
friends compacted, stood close side by side, he wheeled him to the
right, and, with unusual force, darted the weapon. Bentley saw his
fate approach, and flanking down his arms close to his ribs, hoping
to save his body, in went the point, passing through arm and side,
nor stopped or spent its force till it had also pierced the valiant
Wotton, who, going to sustain his dying friend, shared his fate.
As when a skilful cook has trussed a brace of woodcocks, he with
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from War and Peace by Leo Tolstoy: was I thinking? I mustn't forget. How shall I speak to the Emperor?
No, that's not it- that's tomorrow. Oh yes! Natasha... sabretache...
saber them...Whom? The hussars... Ah, the hussars with mustaches.
Along the Tverskaya Street rode the hussar with mustaches... I thought
about him too, just opposite Guryev's house... Old Guryev.... Oh,
but Denisov's a fine fellow. But that's all nonsense. The chief
thing is that the Emperor is here. How he looked at me and wished to
say something, but dared not.... No, it was I who dared not. But
that's nonsense, the chief thing is not to forget the important
thing I was thinking of. Yes, Na-tasha, sabretache, oh, yes, yes!
That's right!" And his head once more sank to his horse's neck. All at
War and Peace |
