| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Brother of Daphne by Dornford Yates: back to the car, in case we miss her ladyship's maid. Don't let
her go off in the wagonette."
"Very good, sir."
He put the luggage on a seat and ran back to the exit. Exactly
opposite to where we were standing was a first-class carriage.
As the guard's whistle was blown:
"Have you got my bag, Peter?" said a plaintive voice.
"Yes, m'dear," and Sir Peter and Lady Tagel passed down the
platform. We watched them greedily.
The train began to move.
"The last lap," said Berry. "Courage, my travel-stained
 The Brother of Daphne |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1492 by Mary Johntson: another flood and in much less than forty days. We must
be silent, for wind and thunder allowed no other choice.
Streams of rain came into the cavern, but we found ledges
curtained by rock. We ate cassava cake and drank from a
runlet of water. The storm made almost night, then actual
night arrived. We curled ourselves up, hugging ourselves
for warmth, and went to sleep.
The third day from the town we came to the sea and the
ships. All seemed well. Our companions had felt the
storm, had tales to tell of wrenched anchors and the _Pinta's_
boat beat almost to pieces, uprooted trees, wind, lightning,
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Melmoth Reconciled by Honore de Balzac: face, and the thin red line of the lips that seemed made to suck the
blood of corpses; and you can guess at once at the black gaiters
buttoned up to the knee, and the half-puritanical costume of a wealthy
Englishman dressed for a walking excursion. The intolerable glitter of
the stranger's eyes produced a vivid and unpleasant impression, which
was only deepened by the rigid outlines of his features. The dried-up,
emaciated creature seemed to carry within him some gnawing thought
that consumed him and could not be appeased.
He must have digested his food so rapidly that he could doubtless eat
continually without bringing any trace of color into his face or
features. A tun of Tokay vin de succession would not have caused any
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from House of Seven Gables by Nathaniel Hawthorne: them to unseemly laughter. Still, she felt the more, for this
incident, how unaccountably silent and impenetrable the house had
become. As her next resort, Phoebe made her way into the garden,
where on so warm and bright a day as the present, she had little
doubt of finding Clifford, and perhaps Hepzibah also, idling away
the noontide in the shadow of the arbor. Immediately on her entering
the garden gate, the family of hens half ran, half flew to meet her;
while a strange grimalkin, which was prowling under the parlor window,
took to his heels, clambered hastily over the fence, and vanished.
The arbor was vacant, and its floor, table, and circular bench
were still damp, and bestrewn with twigs and the disarray of the
 House of Seven Gables |