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Today's Stichomancy for Tom Hanks

The first excerpt represents the past or something you must release, and is drawn from Macbeth by William Shakespeare:

Direnesse familiar to my slaughterous thoughts Cannot once start me. Wherefore was that cry? Sey. The Queene (my Lord) is dead

Macb. She should haue dy'de heereafter; There would haue beene a time for such a word: To morrow, and to morrow, and to morrow, Creepes in this petty pace from day to day, To the last Syllable of Recorded time: And all our yesterdayes, haue lighted Fooles The way to dusty death. Out, out, breefe Candle, Life's but a walking Shadow, a poore Player,


Macbeth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Study of a Woman by Honore de Balzac:

all blanch before her. She has conquered the right to converse as long and as often as she chooses with the men who seem to her agreeable, without being entered on the tablets of gossip. Certain coquettish women are capable of following a plan of this kind for seven years in order to gratify their fancies later; but to suppose any such reservations in the Marquise de Listomere would be to calumniate her.

I have had the happiness of knowing this phoenix. She talks well; I know how to listen; consequently I please her, and I go to her parties. That, in fact, was the object of my ambition.

Neither plain nor pretty, Madame de Listomere has white teeth, a dazzling skin, and very red lips; she is tall and well-made; her foot

The third excerpt represents the future or something you must embrace, and is drawn from Bunner Sisters by Edith Wharton:

seemed possible that under happier conditions she might still warm into relative youth.

"Why, Ann Eliza," she exclaimed, in a thin voice pitched to chronic fretfulness, "what in the world you got your best silk on for?"

Ann Eliza had risen with a blush that made her steel-browed spectacles incongruous.

"Why, Evelina, why shouldn't I, I sh'ld like to know? Ain't it your birthday, dear?" She put out her arms with the awkwardness of habitually repressed emotion.

Evelina, without seeming to notice the gesture, threw back the