| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Ruling Passion by Henry van Dyke: "That Leclere," said he, "that little Prosper Leclere! He thinks
himself one of the strongest--a fine fellow! But I tell you he is a
coward. If he is clever? Yes. But he is a poltroon. He knows
well that I can flatten him out like a crepe in the frying-pan. But
he is afraid. He has not as much courage as the musk-rat. You
stamp on the bank. He dives. He swims away. Bah!"
"How about that time he cut loose the jam of logs in the Rapide des
Cedres?" said old Girard from his corner.
Vaillantcoeur's black eyes sparkled and he twirled his mustache
fiercely. "SAPRIE!" he cried, "that was nothing! Any man with an
axe can cut a log. But to fight--that is another affair. That
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Intentions by Oscar Wilde: consequeut, plus poignantes. Tout doit etre subordonne e ce but.
L'Homme sur le premier plan, le reste au fond.'
This passage is interesting as coming from the first great French
dramatist who employed archaeology on the stage, and whose plays,
though absolutely correct in detail, are known to all for their
passion, not for their pedantry - for their life, not for their
learning. It is true that he has made certain concessions in the
case of the employment of curious or strange expressions. Ruy Blas
talks of M, de Priego as 'sujet du roi' instead of 'noble du roi,'
and Angelo Malipieri speaks of 'la croix rouge' instead of 'la
croix de gueules.' But they are concessions made to the public, or
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