The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: glance of it in profile. The motion of his body, too, was at
variance with this idea--for he rocked from side to side with a
gentle yet constant and uniform sway. Having rapidly taken
notice of all this, I resumed the narrative of Sir Launcelot,
which thus proceeded:
"And now, the champion, having escaped from the terrible
fury of the dragon, bethinking himself of the brazen shield, and
of the breaking up of the enchantment which was upon it, removed
the carcass from out of the way before him, and approached
valorously over the silver pavement of the castle to where
the shield was upon the wall; which in sooth tarried not for his
 The Fall of the House of Usher |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Burning Daylight by Jack London: bulling and bearing, he showed his hand and cleaned up what would
have been a fortune to any other man.
Other men, having made their strike, had headed south for the
States, taking a furlough from the grim Arctic battle. But,
asked when he was going Outside, Daylight always laughed and said
when he had finished playing his hand. He also added that a man
was a fool to quit a game just when a winning hand had been dealt
him.
It was held by the thousands of hero-worshipping chechaquos that
Daylight was a man absolutely without fear. But Bettles and Dan
MacDonald and other sourdoughs shook their heads and laughed as
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The third excerpt represents the future or something you must embrace, and is drawn from The Master Key by L. Frank Baum: the Being. "What matters a name? I am here to do your bidding."
3. The Three Gifts
Familiarity with any great thing removes our awe of it. The great
general is only terrible to the enemy; the great poet is frequently
scolded by his wife; the children of the great statesman clamber about
his knees with perfect trust and impunity; the great actor who is
called before the curtain by admiring audiences is often waylaid at
the stage door by his creditors.
So Rob, having conversed for a time with the glorious Demon of
Electricity, began to regard him with more composure and less awe, as
his eyes grew more and more accustomed to the splendor that at first
 The Master Key |