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Today's Stichomancy for Tyra Banks

The first excerpt represents the past or something you must release, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

she'll want to know just how the old lady is." With this last word Mrs. Todd turned and left me as if with sudden thought of something she had forgotten, so that I felt sure she was coming back, but presently I heard her go out of the kitchen door and walk down the path toward the gate. I could not part so; I ran after her to say good-by, but she shook her head and waved her hand without looking back when she heard my hurrying steps, and so went away down the street.

When I went in again the little house had suddenly grown lonely, and my room looked empty as it had the day I came. I and all my belongings had died out of it, and I knew how it would seem

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

the blow; and if the tenacity of the parts of the stone, is not stronger than the force with which it moves towards the hammer, the stone must break; which it does when the blow is strong, and struck upon the centre of gravity of the stone.

In the 6th Fig. of Plate 19, the man IHL (the chairs IL, being made fast) makes so strong an arch with his backbone and the bones of his legs and thighs, as to be able not only to sustain one man,


Miracle Mongers and Their Methods
The third excerpt represents the future or something you must embrace, and is drawn from The Red Inn by Honore de Balzac:

won't fight always, 'ceux-ci.' Well, when there's peace, will you go to Beauvais? If my mother has survived the fatal news of my death, you will find her there. Say to her the comforting words, 'He was innocent!' She will believe you. I am going to write to her; but you must take her my last look; you must tell her that you were the last man whose hand I pressed. Oh, she'll love you, the poor woman! you, my last friend. Here," he said, after a moment's silence, during which he was overcome by the weight of his recollections, "all, officers and soldiers, are unknown to me; I am an object of horror to them. If it were not for you my innocence would be a secret between God and myself."