| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays & Lectures by Oscar Wilde: The definition should follow the work: the work should not adapt
itself to the definition.
Nothing, indeed, is more dangerous to the young artist than any
conception of ideal beauty: he is constantly led by it either into
weak prettiness or lifeless abstraction: whereas to touch the
ideal at all you must not strip it of vitality. You must find it
in life and re-create it in art.
While, then, on the one hand I do not desire to give you any
philosophy of beauty - for, what I want to-night is to investigate
how we can create art, not how we can talk of it - on the other
hand, I do not wish to deal with anything like a history of English
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells: air practically, with registry offices and all sorts of
accommodation round the corner. Nothing to check their
proceedings but a declining habit of telling the truth and the
limitations of their imaginations. And in that respect they stir
up one another. Not my affair, of course, but I think we ought
to teach them more or restrain them more. One or the other.
They're too free for their innocence or too innocent for their
freedom. That's my point. Are you going to have any apple-tart,
Stanley? The apple-tart's been very good lately--very good!"
Part 7
At the end of dinner that evening Ann Veronica began: "Father!"
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