Today's Stichomancy for Uma Thurman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Anabasis by Xenophon:

March 399 B.C.

PREPARER'S NOTE

This was typed from Dakyns' series, "The Works of Xenophon," a four-volume set. The complete list of Xenophon's works (though there is doubt about some of these) is:

Work Number of books

The Anabasis 7 The Hellenica 7 The Cyropaedia 8 The Memorabilia 4 The Symposium 1

Anabasis

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

was made more effective by means of several gradings and improvements along the connecting routes, including the chiseling of numerous direct tunnels from the ancient metropolis to the black abyss - sharply down-pointing tunnels whose mouths we carefully drew, according to our most thoughtful estimates, on the guide map we were compiling. It was obvious that at least two of these tunnels lay within a reasonable exploring distance of where we were - both being on the mountainward edge of the city, one less than a quarter of a mile toward the ancient river course, and the other perhaps twice that distance in the opposite direction. The abyss,

At the Mountains of Madness

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Phaedrus by Plato:

that nothing was or ever could be written better. Socrates does not think much of the matter, but then he has only attended to the form, and in that he has detected several repetitions and other marks of haste. He cannot agree with Phaedrus in the extreme value which he sets upon this performance, because he is afraid of doing injustice to Anacreon and Sappho and other great writers, and is almost inclined to think that he himself, or rather some power residing within him, could make a speech better than that of Lysias on the same theme, and also different from his, if he may be allowed the use of a few commonplaces which all speakers must equally employ.

Phaedrus is delighted at the prospect of having another speech, and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ferragus by Honore de Balzac:

filling with tears.

"I am innocent," she said, ending her dream.

"You will not go out to-day, will you?" asked Jules.

"No, I feel too weak to leave my bed."

"If you should change your mind, wait till I return," said Jules.

Then he went down to the porter's lodge.

"Fouguereau, you will watch the door yourself to-day. I wish to know exactly who comes to the house, and who leaves it."

Then he threw himself into a hackney-coach, and was driven to the hotel de Maulincour, where he asked for the baron.

"Monsieur is ill," they told him.

Ferragus