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Today's Stichomancy for Uma Thurman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

he said, "I must be going."

There was something in his eyes and manner that was too difficult for him to express in words. "One gets talking," he said at last at the door, and smiled wanly, and so vanished from my eyes. And that is the tale of Mr. Skelmersdale in Fairyland just as he told it to me.

6. THE STORY OF THE INEXPERIENCED GHOST

The scene amidst which Clayton told his last story comes back very vividly to my mind. There he sat, for the greater part of the time, in the corner of the authentic settle by the spacious open fire, and Sanderson sat beside him smoking the Broseley clay that bore his name.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Snow Image by Nathaniel Hawthorne:

wearily up the long ascent, made a halt to refresh themselves at the spring. There were three men, a woman, and a little girl and boy. Their attire was mean, covered with the dust of the summer's day, and damp with the night-dew; they all looked woebegone, as if the cares and sorrows of the world had made their steps heavier as they climbed the hill; even the two little children appeared older in evil days than the young man and maiden who had first approached the spring.

"Good evening to you, young folks," was the salutation of the travellers; and "Good evening, friends," replied the youth and damsel.


The Snow Image
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

of the grounds of his dismissal from school, for that was really but the question of the horrors gathered behind. That his uncle should arrive to treat with me of these things was a solution that, strictly speaking, I ought now to have desired to bring on; but I could so little face the ugliness and the pain of it that I simply procrastinated and lived from hand to mouth. The boy, to my deep discomposure, was immensely in the right, was in a position to say to me: "Either you clear up with my guardian the mystery of this interruption of my studies, or you cease to expect me to lead with you a life that's so unnatural for a boy."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Heart of Darkness by Joseph Conrad:

I agreed with the old chap, who thereupon blew his nose noisily into a large cotton handkerchief and withdrew in senile agitation, bearing off some family letters and memoranda without importance. Ultimately a journalist anxious to know something of the fate of his `dear colleague' turned up. This visitor informed me Kurtz's proper sphere ought to have been politics `on the popular side.' He had furry straight eyebrows, bristly hair cropped short, an eyeglass on a broad ribbon, and, becoming expansive, confessed his opinion that Kurtz really couldn't write a bit--'but heavens! how that man could talk. He electrified large meetings. He had faith--don't you see?--he had the faith.


Heart of Darkness