The first excerpt represents the past or something you must release, and is drawn from Chance by Joseph Conrad: was compunction. That sentiment is rare in women . . . "
"Is it?" I interrupted indignantly.
"You know more women than I do," retorted the unabashed Marlow.
"You make it your business to know them--don't you? You go about a
lot amongst all sorts of people. You are a tolerably honest
observer. Well, just try to remember how many instances of
compunction you have seen. I am ready to take your bare word for
it. Compunction! Have you ever seen as much as its shadow? Have
you ever? Just a shadow--a passing shadow! I tell you it is so
rare that you may call it non-existent. They are too passionate.
Too pedantic. Too courageous with themselves--perhaps. No I don't
 Chance |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Noble Kinsmen by William Shakespeare: PERITHOUS.
Yes, they are well.
MESSENGER.
Me thinkes,
Being so few, and well disposd, they show
Great, and fine art in nature: he's white hair'd,
Not wanton white, but such a manly colour
Next to an aborne; tough, and nimble set,
Which showes an active soule; his armes are brawny,
Linde with strong sinewes: To the shoulder peece
Gently they swell, like women new conceav'd,
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The third excerpt represents the future or something you must embrace, and is drawn from Through the Looking-Glass by Lewis Carroll: There OUGHT to be one marked "Queen," you know--'
Just then the door opened a little way, and a creature with a
long beak put its head out for a moment and said `No admittance
till the week after next!' and shut the door again with a bang.
Alice knocked and rang in vain for a long time, but at last, a
very old Frog, who was sitting under a tree, got up and hobbled
slowly towards her: he was dressed in bright yellow, and had
enormous boots on.
`What is it, now?' the Frog said in a deep hoarse whisper.
Alice turned round, ready to find fault with anybody. `Where's
the servant whose business it is to answer the door?' she began
 Through the Looking-Glass |