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Today's Stichomancy for V. I. Lenin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Hidden Masterpiece by Honore de Balzac:

way. An old man mounted the spiral stairway. The oddity of his dress, the magnificence of his lace ruffles, the solid assurance of his deliberate step, led the youth to assume that this remarkable personage must be the patron, or at least the intimate friend, of the painter. He drew back into a corner of the landing and made room for the new-comer; looking at him attentively and hoping to find either the frank good-nature of the artistic temperament, or the serviceable disposition of those who promote the arts. But on the contrary he fancied he saw something diabolical in the expression of the old man's face,--something, I know not what, which has the quality of alluring the artistic mind.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

Leon Chenal, an old painter, who had once keen very handsome, very strong, who was very proud of his physique and very amiable, took his long white beard in his hand and smiled; then, after a few moments' reflection, he became suddenly grave.

"Ladies, it will not be an amusing tale; for I am going to relate to you the most lamentable love affair of my life, and I sincerely hope that none of my friends has ever passed through a similar experience.

I.

"At that time I was twenty-five years old, and was making daubs along the coast of Normandy. I call 'making daubs' that wandering

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

was thin, crisp snow on the grass, and we noted that only two other people had been to the Pagoda that day. I've a curious impression of greenish colour, hot, moist air and huge palm fronds about very much of our talk, as though we were nearly all the time in the Tropical House. But I also remember very vividly looking at certain orange and red spray-like flowers from Patagonia, which could not have been there. It is a curious thing that I do not remember we made any profession of passionate love for one another; we talked as though the fact of our intense love for each other had always been patent between us. There was so long and frank an intimacy between us that we talked far more like brother and sister or husband and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

reeds.

"I reckoned that they would pass, on their way to the bushy kloof, within about five and twenty yards of me, so, taking a long breath, I got my gun well on to the lion's shoulder--the black-maned one--so as to allow for an inch or two of motion, and catch him through the heart. I was on, dead on, and my finger was just beginning to tighten on the trigger, when suddenly I went blind--a bit of reed-ash had drifted into my right eye. I danced and rubbed, and succeeded in clearing it more or less just in time to see the tail of the last lion vanishing round the bushes up the kloof.

"If ever a man was mad I was that man. It was too bad; and such a shot


Long Odds